12 s. IL Oct. 2i, MM.] NOTES AND QUERIES.
',37
Crests,' 1883, and in ' Proverbs and Family
Mottoes,' edited by James Allan Main, 1891,
it is " I stole not, but received." This
translation is half way to Swift's gibe quoted
by SIR HARRY POLAND at the first reference.
ROBERT PIERPOINT.
FAUST BIBLIOGRAPHY (12 S. ii. 269).
)Cotterill (H. B.). The Faust legend and Goethe's ' Faust.' London, Harrap. I*, fid. net.
-Oswald (EJ. Goethe in England and America. English Goethe Society, vol. xi. London, De La More Press, 5*. net.
Paligan (Ernest). Histoire de la legende de Faust. Paris, 1888.
Walsh (W. S.). Faust, the legend and the poem. Philadelphia, 1888. 8vo.
Brown (M.). From Faust to Pickwick. In Con- temporary Review, vol. xxxviii. p. 1G2.
Casartelli (L. C.). Goethe's, Calderon's, and Mar- lowe's Faust. In Dublin Review, vol. xciii. p. 245.
Dr. John Faustus. In 'Early English Prose Romances.' Edited by W. J. Thorns. London, Routledge, 6*.
Taust Legends. In Theatre, vol. vi. 1885.
'Garnett (R.). Faustus. In ' Encyclopaedia Britan- nica,' 9th ed. 1879.
Redford (R. A.). Shakespeare and the Faust Legend. In Gentleman's Magazine, New Series, vol. Ixi. p. 547.
Symonds (J. A.). Legend of Faust. In 'Renais- sance in Italy Revival of Learning.'
- W right (T.). Legend of Faust. In 'Narratives of
Sorcery,' vol. i. p. 133. 1851.
ARCHIBALD SPARKE.
Henry Morley's Edition of Marlowe's ' Faustus,' followed by Goethe's ' Faust,' from the German by John Anster. Pp.316. Lond. 1883-91. Tenth edition.
iRichards (Alfr. E.). Studies in English Faust Literature : The English Wagner Book of 1863. Pp. 176. Heft xxxv. of " Literarhistorische Forschungen," edd. Jos. Schick u. M. v. Wald- berg. Berlin, 1907.
Wood (Henry). Faust - Studien. Pp. viii 294. Berlin, 1912.
H. K.
See Prof. Henry Morley's Introduction to Routledge's edition of Marlowe's ' Faustus ' -and Goethe's ' Faust ' in " Morley's Univer- sal Library " series.
JOHN B. WAINEWRIGHT.
I believe the most complete bibliography of Faust is that by Carl D. L. Engel, ' Zusammenstellung d. Faust - Schriften : der Bibl. Faustiana ' (1874), 2nd ed., small 8vo, Oldenburg, 1885.
This is in the London Library, the Cata- logue of which contains nearly three columns of the titles of various works on the subject.
A. COLLING WOOD LEE. Waltham Abbey, Essex.
Mr. T. C. H. Hoddorui.'k's ' Doctor
Faustus ' (an English version of the German
puppet play so called, with an introduction,
appendix, &c.) contains information on the
place of the Faust story in English dramatic
literature. This work was published by
Kegan Paul, Trench & Co. in 1887.
C. C. B.
PORTRAITS IN STAINED GLASS : PENRITH (12 S. ii. 172, 211, 275, 317). The portraits of Richard, Duke of York (certainly not Richard II.), and his wife, Cecily Neville (sister of the Neville, Earl of Salisbury, and aunt of the "Kingmaker"), in Penrith Church, are figured in Jefferson's ' History of Cumberland,' i. 468, i.e., ' History of Leath Ward.' The introduction of a Guy Neville in the modern legend is an interesting example of the tendency, existent in Tudor days, to transfer to Nevilles or to the War- wick title the attributes of the Beauchamps.
A. D. G.
The great east window in the Church of St. Margaret, Westminster, contains con- temporary portraits of Arthur, Prince of Wales (son of Henry VII.), and his consort, Katherine of Aragon. The wonderful story of the vicissitudes of this beautiful window is told by Mrs. J. E. Sinclair in her ' History' and Description of the Windows of the Parish Church of the House of Commons ' (1895).
The glory of Stanford-on-Avon Church, Northamptonshire, is its ancient stained glass. In the east window, in the uppermost tracery light, is a royal head supposed to represent that of Edward I. It bears a close resemblance to the head which figures on that monarch's coinage.
The famous timber-built church of Green- sted, Essex, contains a fragment of old stained glass on wnich is represented a head, probably that of Henry VII. Some aver that it is a portrait of St. Edmund, but it is doubtless coeval with the rebuilding of the chancel at the end of the fifteenth century.
In the small church of Cold Ashby, Northamptonshire, are two very modern windows containing undoubted ortraits. The first commemorates a former vicar, the Rev. Gregory Bateman, who died in 1882. There are two lights, in one of which, is seen the vicar, fully vested, standing beneath the lych-gate, and in the other he is depicted conducting service in the church. The second window commemorates Mrs. Bateman, who died in 1880. In the two lights tho lady is represented (1) playing the organ
