Kartz Ucci
Kartz Ucci | |
|---|---|
 | |
| Born | 1961 |
| Died | 2013 |
| Alma mater | York University |
| Known for | Contemporary artist |
Kartz Ucci (1961 – 2013) was a multidisciplinary contemporary artist and educator working with sculpture, installation, text, and expanded media.[1]
Early life and education
[edit]Kartz Ucci earned a BFA and an MFA, as well as an MA in Interdisciplinary Studies from York University in Toronto.[2] After teaching at York University, McMaster University and Ryerson University (now Toronto Metropolitan University) in Canada,[3] she joined the University of Oregon faculty in 2004 and was tenured in 2010.[4]
Critical reception
[edit]Greg Kook-Anderson said Ucci was "a digital artist who worked in text, neon, vinyl and film...In her work, Ucci would translate sound into color. She was deeply interested in the ideas of synesthesia -- the sensory disorder in which perception in one sense evokes an involuntary response in another."[5]
The Toronto National Post review said of Ucci's 203 installation, "Sad But True centres on a vinyl LP recording of 368 songs that have the word 'sad' in their titles, which she has layered into one stream of sound. Each song begins at the same time, so the sound that fills the gallery... is a lot of nerve-crunching noise."[6] The review also said, "This is hardly an exhibition you want to hang around in. It's a stressful and impersonal space, even with the hint of playful commentary on the inexhaustible supply of sad songs. It's a lot better to think about this show than to experience it."[6]
Jeff Jahn wrote that she was "one of Oregon's biggest proponents of new media pioneers".[7] Edward P. Clapp said, "Ucci is an installation artist working with relationships of theory, material, and concept within an expanded field of visual exploitation."[8] E. Lamb said Ucci's "Twenty Love Poems and a Song of Despair" as a "project based video and sound installation, a non-sales form, becoming increasingly significant in contemporary art practice".[1]
Exhibitions
[edit]- "Sad But True", Red Head Gallery, Toronto, 2003.[6]
- Twenty Love Poems and a Song of Despair, Tilt Export, Helzer Gallery, Portland, 2009.[8][9]
- An Opera of One, in "The Long Now", University of Oregon, 2012.[2]
- "256 Shades of Grey", High Desert Test Sites 2013, Joshua Tree, California, 2013.[2]
See also
[edit]References
[edit]- ^ a b Lamb, E. (January 1, 2010). Clapp, Edward P. (ed.). Attracting 21st Century Arts Audiences. AuthorHouse. p. 159. ISBN 9781452067391.
{{cite book}}:|work=ignored (help) - ^ a b c "Kartz Ucci leaves a final artwork and a song with her passing". University of Oregon - College of Design - School of Art Design. October 15, 2013. Archived from the original on May 20, 2019. Retrieved March 5, 2016.
- ^ "Kartz Ucci". Red Head Gallery. Retrieved March 8, 2019.
- ^ "UO arts professor Kartz Ucci leaves artwork and a song with her passing". Around the O. October 20, 2013. Retrieved March 8, 2019.
- ^ Kook-Anderson, Grace (September 29, 2015). "Kartz Ucci show at the Art Gym honors Oregon talent who died too soon". The Oregonian. Retrieved March 8, 2019.
- ^ a b c "Soundscapes : Cry us a river". National Post. September 13, 2003. p. 95. Retrieved May 16, 2020.
- ^ Jahn, Jeff (October 4, 2015). "Kartz Ucci, new media stalwart revisited". Portland Art. Retrieved March 8, 2019.
- ^ a b Clapp, Edward P. (2010). 20under40: Re-inventing the Arts and Arts Education for the 21st Century. AuthorHouse. ISBN 978-1-4520-6739-1.
- ^ "Kartz Ucci". tiltpdx.com. 2009. Retrieved March 8, 2019.