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Rajie Cook (July 6, 1930 – February 6, 2021), also known as Roger Cook, was a Palestinian American graphic designer, artist, Palestinian peace activist, humanitarian and photographer.
Rajie Cook | |
|---|---|
 Cook in a portrait by Thomas Francisco | |
| Born | July 6, 1930 |
| Died | February 6, 2021 (aged 90) |
| Education | Pratt Institute |
| Occupation(s) | Graphic designer, artist |
| Years active | 1953–2021 |
| Spouse |
Margit Schneider (m. 1955) |
| Children | 2[1] |
| Awards | Presidential Award for Design Excellence (1985) |
Cook was born in Newark, New Jersey, in 1930, into a Palestinian-Christian family.[1][2] He was president of Cook and Shanosky Associates, a graphic design firm he founded in 1967.[2][1] The firm produced all forms of corporate communications including: Corporate Identity, Advertising, Signage, Annual Reports and Brochures.
His graphic design and photography have been used by IBM, Container Corporation of America, Montgomery Ward, Bristol Myers Squibb, Black & Decker, Volvo, Subaru, AT&T, New York Times, Bell Atlantic, BASF, Lenox, and a number of other major international corporations.
He received the Presidential Award for Design Excellence from president Ronald Reagan and Elizabeth Dole on January 30, 1984 in the Indian Treaty Room of the Old Executive Office Building in Washington, DC.[2] Juries under the auspices of the National Endowments chose the thirteen winners of the Federal Design Achievement Awards for the Arts.
In 2003, Symbols Signs a project designed by his firm for the US Department of Transportation was accepted by the Acquisitions Committee to the collections of Cooper-Hewitt, National Design Museum, and The Smithsonian Institution.[1]
Cook was a graduate of the Pratt Institute[1] and in 1997 was selected as Alumni of the year, and has also served on the Pratt Advisory Board. He has been a member of the American Institute of Graphic Arts. He died in Newtown, Pennsylvania, on February 6, 2021.[1]
Sculptural assemblages
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Inspired in part by the work of Joseph Cornell, Cook has turned to sculptural assemblage.
In 1999, after 46 years as a graphic designer, I found time to explore this new medium, sculptural "assemblage". The inspiration and opportunity to explore this mode of artistic expression comes at a time when my commercial career has sufficiently matured so that I can apply my skills, experiences, and a lifetime of artistic perspective to create "statements" with these assemblages. Most of my "raw" materials come from private collections, my own photography, flea markets, and antique shops, where I spend hours searching for items that inspire use in my boxes. My process, using these "found" materials, feels to me much like theater. As in the legitimate stage, I work within a three-dimensional form to portray the comedy or tragedy of life. I create these miniature, silent, "theaters" to express my feelings about a range of subjects. The three-dimensional objects I construct, using the found and fabricated objects (my "Thespians"), are a series of "performances" that share my deepest feelings with my audience.
Many of the “Boxes” that he has created are an expression of the artist’s deeply felt concern for human rights and for the tragic conditions in the Middle East. They were created to articulate the circumstances and experiences he encountered during the ten years he has served on the Task Force for the Middle East, a group sponsored by the Presbyterian Church (USA). With this group he has traveled on fact-finding trips to Israel, Jordan, and Palestine (West Bank and Gaza). One such sculpture was exhibited as part of the exhibition Made in Palestine at the Station Museum of Contemporary Art in 2003.[3]
Personal life
editAfter an elementary school teacher told Rajie that his name was too difficult to pronounce, Rajie became known as Roger, a name he was referred to until he re-embraced Rajie in his older years. The name Cook, too, had been externally changed. Rajie's family name was Suleiman, and was first changed by the Turkish and then by the British.
Rajie met his wife of 65 years, Margit "Peggy" Schneider, in 1944. She was, as he wrote, "a woman of intelligence and integrity, the kind of life companion who would explore this path I wanted to follow with me." Rajie and Peggy devoted their lives to their love of modern design; in 1969 they moved with their daughters Cyndi and Cathie to a Bauhaus-inspired glass and stone home they built in the woods of Washington Crossing, Pennsylvania. Rajie was an avid tennis player, a brave bee keeper, and accomplished bluegrass musician.
In addition to his daughters and wife, Rajie had one son-in-law, Will Rhodin; three grandchildren, Sara (Tyler Lechtenberg), Torin, and Amy Rhodin; and two great grandchildren, Solomon Rajie and Petra Najla Lechtenberg.
References
edit- ^ a b c d e f g Genzlinger, Neil (February 25, 2021). "Rajie Cook, Who Helped Make Sense of Public Spaces, Dies at 90". The New York Times. Retrieved February 25, 2021.
- ^ a b c Ragan, Margo (June 16, 2017). "Signage & Bluegrass". Bucks County Magazine. Retrieved February 25, 2021.
- ^ Kerschen, Tex (2003). Made in Palestine. Texas: Ineri Publishing. pp. 33, 90. ISBN 0968635812.
External links
edit- Roger's Website featuring more of his box assemblies.
- DOT pictograms (symbol signs)
- Airport, an animated film made from AIGA pictograms
- Narrative, expression of identity in transition, Al-Bustan Seeds of Culture project.