Wikipedia

Operabase

Operabase is an online global database for audiences and professionals. It lists details on opera performances, opera houses and companies, and performers as well as their agents. It was founded in 1996 by English software engineer and opera lover Mike Gibb.[1] Initially a hobby site, it became his full-time occupation after three years.[2] Opera magazine describes the Operabase website as "the most comprehensive source of data on operatic activity".[3] Gibb sold Operabase to Truelinked in 2018. The company was then bought by Arts Consolidated (headquartered in Denmark) and relaunched in 2021.[4] The management team is led by Ulrike Köstinger (Chief Executive Officer)[5] and other members of the management team are Bharani Setlur (Chief Product Officer), Trine Guldmann (Chief Finance Officer) and Peter Palludan (Chief Technology Officer).

History

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Early expansion

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By its tenth anniversary, in 2006, the site received "about 10,000 visitors a day to the public site, who look at over four million pages a month between them. Of these, fewer than half use English, 17% use German, 12% Italian, 10% French, 9% Spanish."[6] In autumn of that year the British magazine Opera Now reported that "Operabase has taken on the Herculean task of making [the site] available to every European Union citizen in their own language – not only the 21 (as at January 2007) official languages of the EU, but Catalan, Icelandic and Norwegian as well."[7] As of November 2012, the free public area of the site is available in 22 languages, and includes 37,000 performances, 40,000 artists, 700 opera companies, festivals and theatres, and the contact details and rosters of 400 artist managers. [8]

Seven years after the public site was launched, a professional site followed and within three years, "200 opera houses from the Met to La Scala" were subscribers.[7] The initial service offering for the 750 euro annual subscription fee had increased artist information and an opera casting tool. The casting tool was used for researching singers for a given role, but was particularly valued for finding replacement singers when there were emergency cancellations. The tool could not only put forward the names of all of the singers who had sung that role, but the artist schedules could be used to find if they were available, and the artists management and contact information could be used to make contact.[9]

Recent developments

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In 2019, Arts Consolidated ApS, a Danish company specialising in performing arts, acquired Operabase. The relaunch of Operabase meant constructing a site as a Service-Orientated Architecture (SOA) that “provides a flexible interface that responds to the needs of individual users.”[4]

Public website

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The database was operated by Gibb and Muriel Denzler. As has been noted by Gibb and Denzler in an article on the website of Opera Europa (the European opera service organisation similar to those which exist in the US and Canada, Opera America and Opera.ca) they provide specialised services to opera professionals, with the site including "casting tools, artist records, management details, productions information". But they emphasise that "the site was originally created for the general public, who still provide 96% of its users".[6]

Operabase is now available in 34 languages and provides services to opera professionals for a fee, although the site is searchable by any web user at no charge.

Professional website

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The professional services are available to companies, festivals, opera houses, theatres, orchestras, choruses, agencies, artists, academia and journalists. The site remains searchable by any web users at no charge.

Statistics

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In autumn 2010, Operabase produced a set of statistics to mark the 250,000th performance on file. These statistics were presented at the third European Opera Forum, organised by Opera Europa in London in March 2011.[10][11] In autumn 2013, the statistics were updated to show the 2012/13 season figures.[12]

The Operabase rankings of the most performed operas formed the basis of a set of music questions in an edition of the BBC's University Challenge, broadcast in July 2014. Competitors were asked to identify three operas in the Operabase list from sound clips of Maria Callas.[13]

Most played composers

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In the five seasons 2008/09 to 2012/13, 2415 different works from 1161 different composers were played. The most popular composers were:

  1. Giuseppe Verdi, with 2,586 performances of 28 operas
  2. Giacomo Puccini, with 1,893 performances of 12 operas
  3. Wolfgang Amadeus Mozart
  4. Richard Wagner
  5. Gioachino Rossini

More than 600 of the composers played in this period were still alive. The most frequently programmed of these were Philip Glass, Hans Werner Henze, and John Adams. Kaija Saariaho was the most played female composer, living or dead.

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Throughout the 2015/16 season the most popular operas overall were:

  1. La traviata (1853, Verdi) with 4190 performances over 869 runs
  2. Die Zauberflöte (1791, Mozart) with 3310 performances over 561 runs
  3. Carmen (1875, Bizet) with 3280 performances over 691 runs
  4. La bohème (1896, Puccini) with 3131 performances over 672 runs
  5. Tosca (1900, Puccini) with 2694 performances over 608 runs

The most popular operas by composers from the 20th century (i.e., by composers born after 1900) were The Turn of the Screw by Benjamin Britten and Lady Macbeth of the Mtsensk District (1934, Dmitri Shostakovich).  The most popular works by composers alive on 31 July 2012 were the monodrama The Diary of Anne Frank (composed 1968, Grigory Frid), and the opera Dead Man Walking (2000, Jake Heggie).

Most operatic places

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In the 2015/16 season, the cities with the most opera performances were:

  1. Moscow with 582 performances
  2. Vienna with 535 performances
  3. Berlin with 527 performances
  4. London with 427 performances
  5. St. Petersburg with 422 performances

References

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  1. ^ Edward Schneider (29 July 2001), "Singing and Their Suppers", The New York Times. Retrieved 13 May 2011.
  2. ^ Higgins, Charlotte (23 May 2003). "Operabase.com". The Guardian. London. Retrieved 20 November 2013.
  3. ^ Shapiro, Yehuda (June 2012), "Rarity Value", Opera magazine, vol. 63, no. 6, p. 671
  4. ^ a b "What's inside the September 2021 issue of Opera Now..." Rhinegold. Retrieved 2 February 2023.
  5. ^ "Arts Consolidated Announces New CEO". OperaWire. 14 December 2022. Retrieved 2 February 2023.
  6. ^ a b Gibb, Mike; Denzler, Muriel. "Operabase's 10th Anniversary". opera-europa.org. {{cite web}}: Missing or empty |url= (help)[full citation needed]
  7. ^ a b Richardson, Kenneth (September–October 2006). "Net Results: Operabase, the internet tool for opera lovers and professionals, is ten years old. Kenneth Richardson talks to computer wiz and opera lover Mike Gibb about the journey so far and his ambitious plans to develop the site in future". Opera Now. London.
  8. ^ "Home page". Operabase.com. Retrieved 13 November 2012.[failed verification]
  9. ^ Sweeting, Adam (25 October 2007). "The show must go on – but how?". The Daily Telegraph. London. Retrieved 18 November 2012.
  10. ^ Gilles Charlassier. "Forum Opera Europa. Troisième forum des professionnels de l'art lyrique". Anaclase. Archived from the original on 3 September 2011. Retrieved 13 May 2011.[failed verification]
  11. ^ "unknown" (PDF). OEuvres Newsletter (33). Opera Europa. Spring 2011. Retrieved 19 November 2012. {{cite journal}}: Cite uses generic title (help)[dead link‍]
  12. ^ "Opera Statistics 2012/13". operabase.com. Retrieved 24 June 2013.[failed verification]
  13. ^ "University Challenge 2014/15, Episode 3 on BBC iPlayer". BBC. Retrieved 4 August 2014.[failed verification]
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