Wikipedia

Lee Sung-soo

In this Korean name, the family name is Lee.

Lee Sung-soo[2] (Korean: 이성수; also spelled Lee Sung-su;[3] born November 3, 1979) is a South Korean music production director and A&R executive. He is the chief A&R officer of SM Entertainment and CEO of Kreation Music Rights. He was formerly the CEO of SM Entertainment and SM Entertainment USA. Lee began working for SM as early as 1998 as a part-timer and officially joined the agency in 2005 as an A&R representative, before later becoming head of the production division.

Lee Sung-soo
Lee in 2017
Lee in 2017
Born (1979-11-03) November 3, 1979 (age 45)
Other namesChris Lee[1]
Alma materHankuk University of Foreign Studies
Years active1998–present
Title
RelativesLee Soo-man (uncle)
Korean name
Hangul
이성수
Revised RomanizationLee Seong-su
McCune–ReischauerLee Sŏngsu
Signature
Signature of Lee

Lee is an expert in the field of music production and is considered one of the key figures who has led the growth of SM. A member of the company's core organization of A&R, he has been responsible for the songs and concepts of SM artists such as BoA, Girls' Generation, Shinee, f(x), Exo, Red Velvet, and NCT.[4][5] He is also known for introducing the idea of the songwriting camp to the K-pop industry.

Life and career

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Born on November 3, 1979,[6] Lee Sung-soo graduated from the Department of International Trade at Hankuk University of Foreign Studies.[7] He is the nephew of SM founder Lee Soo-man's late wife.[8] Lee began working for SM Entertainment as early as 1998 while attending university as a part-timer focused on various tasks, such as identifying fan club trends.[7][9] He developed an interest in A&R[10] and attended the SM Academy, where he studied computer composition and arrangement, stating that he should "know how to make music to be good at A&R".[11] He officially joined SM in 2005 as a member of the A&R department and worked with Chinese singer Zhang Liyin as his first project.[10] The first group he worked with was Shinee,[12] whom he wrote two songs for: "Romeo and Juliette" and "The Name I Loved".[13] He became head of the A&R department in 2009 and head of the production division in 2015, directly under Lee Soo-man.[13] By that point, he was directing 80 percent of artist production.[11] Lee worked with numerous artists, including BoA, Girls' Generation, Exo, Red Velvet, and NCT,[4] but his influence was most clearly felt in the work of Shinee and f(x), whose "unique" style stood in opposition to the intense, performance-driven music championed by Yoo Young-jin, SM's music director.[5]

In 2013, Lee introduced the idea of the songwriting camp to the K-pop industry.[14] He had first started teaming up with foreign composers in the early 2000s, but initially found it difficult due to the low profile of K-pop at the time. Following the release of several hit songs by SM artists in 2009, he began to be invited to songwriting camps hosted by foreign music publishers, and brought the idea back to South Korea. Over the years, he identified talented composers and compiled them into a list, and within SM, they formed a studio that could operate a songwriting camp all year round.[15] Lee stayed abroad for a third of the year and formed a "strong" network of foreign composers, hosting songwriting camps for SM with them and the company's in-house composers.[16][17] This system was eventually adopted by other K-pop companies.[14] He was also responsible for the creation of SM Station and SM Classics.[18]

Lee was appointed a registered director in 2017[4] and became CEO of SM Entertainment USA in 2019.[13] On March 10, 2020, SM announced through the board of directors that Lee Sung-soo, general director of music production, and Tak Young-jun, general director of artist management, had been appointed co-CEOs of the company.[19] Through the announcement of the company's appointment of two new executives, Lee was appointed as the chief executive officer (CEO), with Tak as the chief marketing officer (CMO), as SM celebrated its 25th year.[20]

In 2023, Lee and Tak became embroiled in a dispute over SM's management rights with founder Lee Soo-man. After being pushed out of the company due to shareholder outrage over high producing fees, Lee Soo-man sold his shares to Hybe Corporation, making them the largest shareholder. Lee and Tak, who had been planning to restructure the company, allied themselves with technology company Kakao in an effort to guarantee SM's independence.[8] On March 12, Hybe withdrew from the takeover battle, ceding control of SM's management rights to Kakao.[21] Lee announced his intention to stand down as CEO and return to his role in A&R.[18] His term came to an end on March 31.[22] He was appointed the chief A&R officer (CAO) and is leading the A&R Committee following SM's reorganisation.[23] He was also appointed CEO of Kreation Music Rights, a newly-created subsidiary that focuses on music publishing.[12]

Keynote speeches

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List of Lee Sung-soo keynote speeches
Event Date City Venue Theme Ref.
2014 Hallyu Trends and Prospects January 20, 2014 Seoul Korea Press Center Production and Cultural Technology that Led to the Success of K-pop [24]
International Hallyu Workshop: Content Innovation for Korean Wave 3.0 August 2, 2014 Busan — Production Technology and Internationalization [25]
K-Factor: An Orchestral Exploration of K-pop June 19, 2019[A] New York City David Rubenstein Atrium The True Value of K-pop [27]
2019 Content Industry Forum June 25, 2019[B] Seoul CKL Stage Idol Worldview Strategy [29]
Day of Action September 7, 2019 Starfield Library Dreaming Together: The Future of K-pop and Culture Technology [30]
Digital New Deal Cultural Content Industry September 24, 2020 Gimpo Camp One Examples of Online Non-face-to-face K-pop Performances [31]
Mu:Con Online 2020[C] September 25, 2020[D] — Culture Technology, IP Industry and Untact [35]
Korea Investment Festival (KIF) 2020 October 7, 2020[E] Seoul Conrad Hotel The Future Strategy of K-pop in the Post-Corona Era [37]
[38]
ComeUp 2020 November 21, 2020[F] Goyang CJ ENM Ilsan Production Center Culture Technology, Shining in the Untact Era [40]
2nd World Culture Industry Forum (WCIF) July 1, 2021 — Combination of the Virtual and Real Worlds and Changes in the Entertainment Industry[G] [42]
2021 StartUp:Con October 7, 2021 SM Content Roadmap - Future Content Era with SMCU [43]
[44]
2022 Content Industry Forum April 27, 2022[H] World to Communicate with SMCU (SM Culture Universe) [46]
3rd World Culture Industry Forum (WCIF) July 6, 2022[I] Daegu Hotel Susung Convention Hall The Age of Metaverse: The Music and Entertainment Industry [48]
[49]
"—" denotes events where its venue was not publicized or was held online.

Filmography

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List of documentary title, year released, and role
Year Title Role Ref.
2022 K-pop Generation Himself [50]

Accolades

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SM Entertainment was selected in the job creation category of the Korea Creative Management 2020 award for two consecutive years. Lee Sung-soo was mentioned as having a pivotal role in establishing SM as a "leading entertainment company in Asia," adding that Lee maintained the company's musical color and completeness due to operating and developing his system with producer Lee Soo-man since the mid-2000s.[51] Lee was listed along with Tak Young-jun in Billboard's 2022 International Power Players,[52] and was included again in 2023.[53] Additionally, Lee was on the list of Billboard's 2022 Indie Power Players, along with Tak, with Lee expressing his satisfaction with their achievement being noticed as the "trailblazers in the global music industry during such an exciting time for K-pop."[54]

Notes

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  1. ^ The K-Factor: An Orchestral Exploration of K-pop was held on June 20, 2019, at Alice Tully Hall in Lincoln Center, where a 50-piece orchestra from the Juilliard School reinterpreted K-pop to a classical performance. The "special lecture" was held a day before the event, with Lee Sung-soo as a "special speaker".[26]
  2. ^ The 2019 Content Industry Forum was held on June 18–20 and 25–27, 2019, with Lee having his story forum only on June 25.[28]
  3. ^ also called as 2020 Seoul International Music Fair[32]
  4. ^ The Mu:Con Online 2020 was held on September 23–26, 2020,[33] with Lee giving his keynote speech only on September 25.[34]
  5. ^ The Korea Investment Festival (KIF) 2020 was held on October 6–7, 2020, with Lee giving his presentation on the afternoon of October 7.[36]
  6. ^ The ComeUp 2020 was held on November 19–21, 2020, with Lee delivering his keynote lecture on November 21.[39]
  7. ^ Lee Soo-man gave the keynote speech at the conference with the theme: Future Technology Change and Vision of the K-pop Industry, with Lee Sung-soo only attending the forum's second session as a panelist.[41]
  8. ^ The 2022 Content Industry Forum was held on April 26–28, 2022, with Lee giving his keynote speech on April 27.[45]
  9. ^ The 3rd World Culture Industry Forum was held on July 6–7, 2022, with Lee giving his keynote speech on July 6.[47]

References

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  1. ^ Herman, Tamar (June 29, 2021). "K-pop label's big plans for NCT, Aespa and other acts in 2021". South China Morning Post. Archived from the original on June 29, 2021. Retrieved December 19, 2022.
  2. ^ Hyun-su, Yim (April 14, 2020). "SM Entertainment, Naver team up to launch concert streaming service". The Korea Herald. Archived from the original on August 10, 2022. Retrieved August 10, 2022.
  3. ^ Dong, Sun-hwa (June 29, 2021). "SM Entertainment invites K-pop fans to futuristic 'culture universe'". The Korea Times. Archived from the original on August 10, 2022. Retrieved August 10, 2022.
  4. ^ a b c Jeong, Mi-hyung (March 13, 2020). SM엔터, '킹메이커' 경영 전면 배치 노림수는 [SM Entertainment is Aiming to Deploy 'Kingmaker's' Management to the Public]. The Bell (in Korean). Archived from the original on August 8, 2022. Retrieved August 8, 2022.
  5. ^ a b 착한 처조카 이성수는 왜 저항군 대장으로 '광야'에 섰을까 [조은별 기자의 ★★레터] [Why did Lee Sung-soo, a good wife's nephew, stand in the 'wilderness' as a resistance leader? [Reporter Jo Eun-byeol's ★★ Letter]]. Sports Seoul (in Korean). February 27, 2023. Retrieved August 22, 2023.
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