Igor Golomstock (11 January 1929 - 12 July 2017) was a Jewish origin, Russian and English-language, London-based, world art historian. He was the author of several books about Western artists like Pablo Picasso, Hieronymus Bosch, Paul Cézanne, Hans Holbein and Damien Hirst. In Totalitarian Art, he contended that totalitarian art looked the same regardless of the regime, became a weapon of oppression through myth and propaganda.[1]
Igor Golomstock | |
|---|---|
| Born | 11 January 1929 Kalinin, Soviet Union (now Tver, Russia) |
| Died | 12 July 2017 |
| Alma mater | Moscow University |
| Spouse | Nina Kazarovets |
| Children | 1 son |
| Parent(s) | Naum Kojak Mary Golomstock |
Early life
editIgor Golomstock was born on 11 January 1929 in Kalinin, Soviet Union (now Tver, Russia).[2][3] After his Karaite Jew father, Naum Kojak, was sent to a gulag, his parents divorced and Igor took his mother's name.[2][3] From 1939 to 1943, as he was a teenager, Golomstock and his mother lived in Kolyma, a labour camp in the Russian Far East.[2][3]
Golomstock graduated from Moscow University, where he studied art history.[2][3]
Career
editGolomstock began his career by working for the Soviet Ministry of Culture.[2] He was also a resident scholar at the Pushkin Museum, and he taught art history at his alma mater, Moscow University.[4] After emigrating to the United Kingdom in 1972, he taught art history at University of Essex, the University of St Andrews and the University of Oxford.[2][3] In 1977, he "co-curated the exhibition Unofficial Art from the Soviet Union at the Institute of Contemporary Arts" in London.[2] He subsequently worked as a radio presenter on the BBC Russian Service.[2]
Golomstock was the author of several books. His first book, co-written with Andrei Sinyavsky, was about Pablo Picasso.[2][3] His other books were about Hieronymus Bosch, Paul Cézanne, Hans Holbein and Damien Hirst.[2] He was best-known for Totalitarian Art, first published in 1990 and republished in 2011, in which he contended that totalitarian art looked the same regardless of the regime, became a weapon of oppression through myth and propaganda.[2] In particular he showed that both Nazism and Stalinism depicted "industrious families, idealistic soldiers and compassionate leaders."[3] Golomstock found similar features in Fascist and Maoist art.[3]
Golomstock authored his memoir in 2011.[2]
Personal life and death
editGolomstock married Nina Kazarovets in 1960; they had a son, Benjamin.[2][3] They resided in London, U.K.[2] After they separated in the 1990s, he had a relationship with Flora Goldstein, an archeologist.[2][3]
Selected works
edit- Totalitarian Art (1990; 2011)
- Memoirs of an Old Pessimist (2011)
References
edit- ^ Igor Golomstok. Totalitarian art: in the Soviet Union, the Third Reich, Fascist Italy and the People's Republic of China. New York, N.Y.: Overlook Duckworth. 2011
- ^ a b c d e f g h i j k l m n o p Chandler, Robert (2 August 2017). "Igor Golomstock obituary". The Guardian. Retrieved 30 December 2017.
- ^ a b c d e f g h i j k Tessler, Gloria (10 October 2017). "Obituary: Igor Golomstock". The Jewish Chronicle. Retrieved 30 December 2017.
- ^ "Arts Guardian". The Guardian. 25 October 1974. p. 12. Retrieved 30 December 2017 – via Newspapers.com.