Fujiwara no Moronaga[1] was a Japanese politician, noble and musician during the Heian era. He was also known as Myo-On-In Daishokoku (Grand chancellor of Myo-On-In).

Fujiwara no Grand Chancellor of Myo-On-In Moranaga
Japanese name
Kanji藤原師長
Hiraganaふじわら の もろなが

Life

edit

Moronaga was born into the northern branch of Fujiwara clan. He was the second son of Fujiwara no Yorinaga.[2] He also retained a special relationship of "Quasi-son" with his grandfather Fujiwara no Tadajitsu.[3] Thanks to this relationship with the ōdono Tadajistsu, Moronaga's political security was guaranteed and he was seen as one of the potential successor of the position of supreme chancellor Kanpaku.

In 1151, Moronaga was entered into the noble rank of Kugyo at the age of 14. In 1154, he was appointed the acting-middle counsellor. In 1156, Moronaga's father Yorinaga planned a rebellion against Emperor Go-Shirakawa and Fujiwara no Tadamichi. Historically, the rebellion was known as the Hōgen rebellion. The result of Yorinaga's rebellion was disastrous, he died during the rebellion while Moronaga was seen as a potential threat to the Japanese monarch. Consequently, Moronaga was exiled to Tosa province.

In 1164, Moronaga was allowed to return to Kyoto. Soon after his return, his noble rank was also restored. In 1177, Moronaga was promoted to the position of Daijō-daijin (chancellor). Quite unfortunately for Moronaga, he became a political enemy of the military strongman Taira no Kiyomori who initiated a coup d'etat in 1179 and took over the power in Japan. He was dismissed together with Kanpaku Matsudono Motofusa[4] and once more exiled.[5] Later, he forfeited all his titles and became a Buddhist monk in Owari province.[6] He died in Kyoto in 1192 when he was 55 years old.

Music

edit

Moronaga was a prominent musician of the Heian era.[7] He was especially skillful in playing Koto and Biwa. He wrote two books on Musicology: Jinchi Yoroku and Sango Yoroku. The two books contain numerous contemporary Chinese and Korean classical musical scores.[8] In addition, he was a devoted worshiper of Benzaiten, the patron deity of Musicians in Japanese Buddhism.

According to sinologist Rao Zongyi, Sango Yoroku contains some of the oldest surviving musical scores for the biwa.[9]

Family

edit

Moronaga gave birth to three sons, one daughter and adopted one son from Fujiwara no Narichika.[10]

References

edit
  1. ^ Deal, William (2015). A Cultural History of Japanese Buddhism. John Wiley & Sons. p. 259. ISBN 9781118608319.
  2. ^ Markus, Sesko (2011). Legends and Stories around the Japanese Sword. BoD – Books on Demand. p. 120. ISBN 9783842366039.
  3. ^ Li, Zhuo (2008). 中日家族制度比较研究. People's Press. p. 260. ISBN 9787010043869.
  4. ^ Hanawa, Hokiichi (1959). 群書類従. 八木書店. p. 596. ISBN 9784797100105.
  5. ^ 日本古典文學精讀. 五南圖書出版股份有限公司. 2004. p. 146. ISBN 9789571136745.
  6. ^ Minamoto no, Akikane (2005). 古事談. 岩波書店. p. 606.
  7. ^ Iba, Takashi. History of Japanese Music.
  8. ^ Yan, Chunde (2004). 汉学研究, Issue 8. Zhonghua Book Company. p. 731. ISBN 9787101044911.
  9. ^ Rao, Zongyi (2015). 選堂集林·敦煌學. Zhonghua Book Company of Hongkong. p. 322. ISBN 9789888366651.
  10. ^ "藤原氏北家道長子孫". 公卿類別譜. 13 October 2015. Archived from the original on 26 May 2011. Retrieved 6 September 2017.
edit
  • Takuboku, one of the Biwa score recorded by Moronaga.
  • Shishang Liuquan, one of the ancient Chinese musical score recorded by Moronaga.