File:Floral Wreath with Madonna and Child.jpg
Original file (800 × 1,100 pixels, file size: 164 KB, MIME type: image/jpeg)
Captions
Summary
[edit]Daniel Seghers: Flower garland with Immaculate Conception | ||||||||||||||||||||||||||||||
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Artist |
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Title |
label QS:Lfr,"L’Immaculée Conception dans une couronne de fleurs"
label QS:Lnl,"Bloemenkrans met Immaculata Conceptio" |
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Object type | painting | |||||||||||||||||||||||||||||
Date |
between circa 1640 and circa 1645 date QS:P, 1640-00-00T00:00:00Z/8,P1319, 1640-00-00T00:00:00Z/9,P1326, 1645-00-00T00:00:00Z/9,P1480,Q5727902 |
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Medium | oil | |||||||||||||||||||||||||||||
Dimensions |
height: 108.5 cm (42.7 in) ; width: 80.7 cm (31.7 in) dimensions QS:P2048, 108.5U174728 dimensions QS:P2049, 80.7U174728 |
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Collection |
institution QS:P195,Q2365880 |
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Accession number |
1957-AI (Museum of Fine Arts Ghent (MSK)) |
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References | ||||||||||||||||||||||||||||||
Source/Photographer |
Web Gallery of Art: Image Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/s/seghers/daniel/floral_w.html" |
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Permission (Reusing this file) |
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 17:19, 25 April 2009 | 800 × 1,100 (164 KB) | Tescobar (talk | contribs) | {{Information |Description={{en|1=Floral Wreath with Madonna and Child, Oil on copper, 197,5 x 79,5 cm, Museum voor Schone Kunsten, Ghent}} {{pl|1=Wieniec z Madonną i Dzieciątkiem, Olej na miedzi, 197,5 x 79,5 cm, Museum voor Schone Kunsten, Ghent}} |So |
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Metadata
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JPEG file comment | SEGHERS, Daniel
(b. 1590, Antwerpen, d. 1661, Antwerpen) Floral Wreath with Madonna and Child - Oil on copper, 197,5 x 79,5 cm Museum voor Schone Kunsten, Ghent Religious flower still-lifes are a special category, first developed by the Fleming Daniel Seghers, a pupil of Jan Brueghel the Elder. While Dutch paintings of flowers, particularly tulips, clearly showed a tendency towards secularization (with noticeable emphasis on the economic and aesthetic value of flowers rather than their religious significance), Seghers tried to recover their spiritual symbolism, in accordance with the counter-reformational aims of the Jesuit order. They are set against dark backgrounds of cartouches or niches in shades of brown, with floral wreaths in glowing colours climbing up like garlands. Instead of being illuminated from outside, the wreaths seem to have a luminosity of their own. Seghers generally had the Madonna painted in relief by some artist colleague (in this case by Cornelis Schut and J. van Thielen) before surrounding it with flowers and/or fruit. Thus his pictorial concept served to emphasize its character as a religious object, without any real presence of Mary or Jesus. They were devotional pictures, intended to confirm the practice of church worship, communicated through the illusionist reproduction of the religious object itself. It was not the artist's intention to produce a true-to-life fictitious reality that would enable the believer or viewer to bypass the Church and to enter into devout communication.
Author: SEGHERS, Daniel Title: Floral Wreath with Madonna and Child Time-line: 1601-1650 School: Flemish Form: painting Type: still-life |
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167,464 byte
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- Garland paintings by Daniël Seghers
- Flemish paintings in the Museum of Fine Arts, Ghent
- Still-life paintings in the Museum of Fine Arts, Ghent
- Paintings of Madonna and Child in the Museum of Fine Arts, Ghent
- Garland paintings of Madonna and Child
- 17th-century paintings of Madonna and Child
- 1640s paintings of Madonna and Child
- 17th-century oil on copper paintings
- Pages with complex technique templates
- Images from Web Gallery of Art
- CC-PD-Mark
- PD-Art (PD-old-100)
- Artworks with Wikidata item
- Artworks with accession number from Wikidata
- Artworks with known accession number
- Artworks with Wikidata item missing genre
- Artworks digital representation of 2D work
- WGA form: painting
- WGA type: still-life
- WGA School: Flemish
- WGA time period: 1601-1650