File:3rd Duke of Portland.jpg
Original file (1,200 × 1,679 pixels, file size: 922 KB, MIME type: image/jpeg)
Captions
Summary
[edit]Artist |
John Powell (fl.1769–1785)
artist QS:P170,Q4233718,P1877,Q194402 |
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Object type |
painting object_type QS:P31,Q3305213 |
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Description |
A three-quarter-length portrait of William Cavendish-Bentinck, 3rd Duke of Portland, turned to the left, gazing to the left, seated in a red upholstered armchair, holding some papers with his left hand and his cheek leaning on his right hand. Dressed in dark crimson velvet coat and knee-breeches, with white stockings, Short powdered wig, tied at the back with a black ribbon. Architectural background with pillard portico on the left, with view of trees and sky. On the table are books, and two bronze statuettes, one representing either Samson or Hercules holding the jawbone of an ass, the other possibly a boxer. |
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Date |
1782 date QS:P571, 1782-00-00T00:00:00Z/9 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions | 1422 x 1092 mm (56 x 43 in) | ||||||||||||||||||||
Collection |
institution QS:P195,Q333515 Dunham Massey, Cheshire, North West |
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Accession number |
NT 932291 |
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Object history | Bequeathed to the National Trust with the house, estate and all the contents of Dunham Massey by Roger Grey, 10th Earl of Stamford (1896 - 1976) | ||||||||||||||||||||
Credit line | Dunham Massey, The Stamford Collection (National Trust) | ||||||||||||||||||||
Notes |
The original is at Welbeck Abbey, in the Cavendish Bentinck collection. John Powell was recorded as Reynolds’s assistant in 1778, and was known to have also copied Reynolds’s pictures in small. The painting is identified in an inventory of 1787 as a copy painted in 1782. William Henry Cavendish Bentinck, 3rd Duke of Portland, K.G., born 1738, succeeded to Dukedom 1762. Viceroy of Ireland in 1782, Prime Minister under George 3rd, 1783–1807. Married 1766, Dorothy, only Daughter of William, 4th Duke of Devonshire, who died in 1794. He died 30 October, 1809. |
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References | Catalogue of the pictures belonging to His Grace the Duke of Portland, at Welbeck Abbey, and in London by Charles Fairfax Murray (1849–1919), published 1894 | ||||||||||||||||||||
Source/Photographer | BBC Paintings and National Trust | ||||||||||||||||||||
Permission (Reusing this file) |
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Other versions |
Engraved in mezzotint by John Murphy, also after Reynolds, published 1785.
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Licensing
[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 21:30, 6 August 2021 | 1,200 × 1,679 (922 KB) | Remitamine (talk | contribs) | Higher resolution version | |
10:20, 27 April 2014 | 572 × 800 (44 KB) | Ermanarih (talk | contribs) | William Cavendish-Bentinck, 3rd Duke of Portland | ||
10:16, 27 April 2014 | 537 × 768 (52 KB) | Ermanarih (talk | contribs) | William Cavendish-Bentinck, 3rd Duke of Portland | ||
02:48, 9 October 2009 | 279 × 400 (17 KB) | Adam sk~commonswiki (talk | contribs) | {{Information |Description={{en|1=William Cavendish-Bentinck, 3rd Duke of Portland (1738-1809)}} |Source=http://www.gac.culture.gov.uk/search/Object.asp?object_key=15964 |Author=John Murphy, after [[w |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | NIKON CORPORATION |
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Camera model | NIKON D90 |
Exposure time | 1/125 sec (0.008) |
F-number | f/10 |
ISO speed rating | 100 |
Date and time of data generation | 09:55, 8 March 2011 |
Lens focal length | 80 mm |
Width | 2,518 px |
Height | 3,524 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop CS4 Windows |
File change date and time | 14:11, 27 September 2011 |
Exposure Program | Manual |
Date and time of digitizing | 09:55, 8 March 2011 |
APEX exposure bias | 0 |
Maximum land aperture | 5 APEX (f/5.66) |
Metering mode | Spot |
Light source | Flash |
Flash | Flash did not fire |
DateTime subseconds | 00 |
DateTimeOriginal subseconds | 00 |
DateTimeDigitized subseconds | 00 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
Custom image processing | Normal process |
Exposure mode | Manual exposure |
White balance | Manual white balance |
Digital zoom ratio | 1 |
Focal length in 35 mm film | 120 mm |
Scene capture type | Standard |
Scene control | None |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |
Subject distance range | Unknown |
Image width | 1,200 px |
Image height | 1,679 px |
Date metadata was last modified | 15:11, 27 September 2011 |
Unique ID of original document | xmp.did:DA0345420AE9E0118D2BC11852D9044A |
Structured data
Items portrayed in this file
depicts
0.008 second
10
80 millimetre
100
image/jpeg
93b9f5e05bd5a509aed12de4bf7de76fe9648ea6
943,839 byte
1,679 pixel
1,200 pixel
- John Powell
- Works after Joshua Reynolds
- William Cavendish-Bentinck, 3rd Duke of Portland
- Paintings in Dunham Massey Hall
- 18th-century portrait paintings in National Trust places
- Male portrait paintings of nobility in National Trust places
- 1782 oil on canvas paintings in the United Kingdom
- 1782 portrait paintings of men
- 18th-century oil portraits of sitting men at three-quarter length
- Portrait paintings of sitting men with left arm resting on table