File:'The Fugitive Slave' by John Adam Plimmer Houston.jpg
Original file (1,440 × 785 pixels, file size: 173 KB, MIME type: image/jpeg)
Captions
John Adam Houston: The Fugitive Slave ( ) | ||||||||||||||||||||
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Artist |
artist QS:P170,Q21289244 |
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Title |
The Fugitive Slave |
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Object type |
painting object_type QS:P31,Q3305213 |
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Date |
1853 date QS:P571, 1853-00-00T00:00:00Z/9 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
height: 33.1 in (84 cm); width: 60 in (152.4 cm) dimensions QS:P2048,33.1U218593 dimensions QS:P2049,60U218593 |
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Collection |
institution QS:P195,Q28809160 |
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Source/Photographer | Self-photographed | |||||||||||||||||||
Permission (Reusing this file) |
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 02:50, 15 May 2016 | 1,440 × 785 (173 KB) | Wmpearl (talk | contribs) | {{Information |Description ={{en|1=''The Fugitive Slave'' by John Adam Plimmer Houston, oil on canvas, 33.1 x 60 inches, 1853, Johnson Collection, Spartanburg, South Carolina}} |Source =oup |Author =puo |Date = |Permission... |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | NIKON CORPORATION |
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Camera model | NIKON D2X |
Exposure time | 3/1 sec (3) |
ISO speed rating | 100 |
Date and time of data generation | 08:03, 18 June 2011 |
Width | 5,742 px |
Height | 3,129 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop Elements 11.0 Windows |
File change date and time | 16:48, 14 May 2016 |
Exposure Program | Manual |
Exif version | 2.21 |
Date and time of digitizing | 08:03, 18 June 2011 |
APEX shutter speed | −1.584963 |
APEX exposure bias | 0 |
Maximum land aperture | 0 APEX (f/1) |
Metering mode | Center weighted average |
Light source | Tungsten (incandescent light) |
Flash | Flash did not fire |
DateTime subseconds | 24 |
DateTimeOriginal subseconds | 24 |
DateTimeDigitized subseconds | 24 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Custom process |
Exposure mode | Manual exposure |
White balance | Manual white balance |
Digital zoom ratio | 1 |
Scene capture type | Standard |
Scene control | None |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |
Subject distance range | Unknown |
Serial number of camera | 5072933 |
Lens used | 0.0 mm f/0.0 |
Rating (out of 5) | 0 |
Date metadata was last modified | 06:48, 14 May 2016 |
Unique ID of original document | xmp.did:4223F11722691168A82CCA253FA61AE0 |
Structured data
Items portrayed in this file
depicts
image/jpeg
4f07382e0ffe0461f02a84b8b6c90df135a8a628
176,977 byte
785 pixel
1,440 pixel
3 second
100
- John Adam Plimmer Houston
- African Americans in 19th-century art
- Fugitive slaves in art
- Slaves in art
- 1853 oil on canvas paintings
- 1853 paintings of people
- 1853 paintings from the United Kingdom
- 1853 paintings in the United States
- Paintings in the Johnson Collection, Spartanburg, SC
- British paintings in the United States