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Language:
English
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Published:
2024-02-20
Words:
300
Chapters:
1/1
Kudos:
1
Hits:
102

Behind Closed Doors is Tainted Innocence

Summary:

The Timeline of a person who lived in a toxic home as a child, suffering sexual abuse from their stepfather, as well as emotional and physical abuse/neglect from their mother and how their life went from there.

Information other than most names and two locations in this is all true and permission has been granted for this to be posted.
Names of most adults as well as the name of the individual whose life this is about have been changed for privacy reasons.

Notes:

⚠ Names of most adults as well as the name of the individual whose life this is about have been changed for privacy reasons. The individual has also asked for removal of any info regarding any other children the individual may have lived with. ⚠

Work Text:

Behind Closed Doors is Tainted Innocence

The Timeline: Beginning to Age 5

• 2003: Age 0–Bjorn M. P. is born.

• 2004: Age 1–Father, Christophe Fredrik P. leaves Bjorn's Mother and Bjorn.

• 2005: Age 2–Mother starts dating Sean D. H., a man accused of molesting his two biological children by his ex-wife.

• Spring/Early Summer months of 2006: Age 3–Sean proposes to Mother; Sean permanently moves in; Mother, Brittney M. W. marries Sean D. H. thus becoming Brittney M. H.

• 2007/2008: Age 4/Age 5–Bjorn starts to experience audio-visual hallucinations of a violent, bloody, and/or frightening nature as well as emotional/psychical lethargy that worsens after every time Bjorn is forced into sexual acts with Sean.

Bjorn's hallucinations often take the form of a looming, multiple winged figure made of white light with smattered blood on it's hands, feet, and the crown of it's head(Professional speculates this appearance could possibly be a product of childhood religious trauma involving maternal grandmother's beliefs), and it's voices can vary in volume, clarity, and gender depending upon the perceived mood of the figure.

Example:

Anger/Displeasure – • Denying the existence of the figure and/or the voices exact demands leads to a distorted, ear-ringing volume, and all of them take a masculine and/or animalistic growling tone.

Tolerance/Neutrality – • Acknowledging the figure exists and at least trying to follow the commands it issues has the voices at a moderate/acceptable volume and a mixed variety of masculine and feminine tones.

Joy/Pleased – • Praising the figure for being there and for quote-unquote "wasting it's powers trying to help an ungrateful wretch", causes the voices to take a softer volume and individual stated that it sounded like a mix of Bjorn's mother and grandmothers' voices laced with cooing yet condescending tones.