Work Text:
[Azula] clicks her tongue to call two of the creatures towards her, and holds her palms out for them to sniff. The breath blowing steadily across her skin is familiar and warm, as is the light pressure of beaks pressing into her hands. She drags her fingers up to pet at the crown of their heads with a small smile, taking comfort in the satisfied trill the animals let out. There’s a reason why Pabu and Naga are her favorites, after all.
“We’re going on a trip,” she whispers as she finally stops stroking their manes to fit each of them with a saddle. (She still has standards, after all, and sharing prolonged bodily contact with her brother’s boyfriend really doesn’t meet them.)
The animals follow without complaint as she leads them out of their pen with a loose grip on their reins, evidently as eager as Azula to return to the open air. The peasant, much to what Azula refuses to call relief, is standing where she left him. (If he looks a bit more miffed now, that’s none of her concern.)
She wordlessly hands Naga’s reins over to the Water Tribe boy, who takes them with a limp, two-fingered grip.
“Don’t tell me you’ve never ridden an ostrich-horse,” she says flatly.
“Uh…”
Agni help her.
[ID: a digital art of Azula and an ostrich-horse named Naga. It's night and Azula is on the left side of the painting, and Naga is on the right. She's wearing traditional Firenation style clothes: a red robe with a deep red belt and boots and dark orange pants, cufflinks and lapel. She's also wearing a black cloak over her clothing that flows in the winds. Her hair is in a topknot and her expression is one of disbelief. By her side is Naga, a dark brown colored ostrich-horse with a light brown mane, a red and yellow saddle and a yellow rope connected to her yellow muzzle. Azula is holding the rope in her right hand, relaxed by her side, while her left hand is lifted towards Naga's beak, guiding her. The ground is covered in dark green leaves, and they're under a wooden structure that holds two lit oil lamps, one at each side of the painting, and their orange light lights the whole scene.
End ID]