plastersaint
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Letting her go is easy, but you both know you're not doing her any particular favors, because she'd be leaving anyway, whether or not you were still trying to hold on.
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Regardless of how it comes about, it always produces the same result: Max colliding with a barrier that stops her from going any further with Chloe. It's a wall that exists solely in the most abstract sense, its structure sound only within the confines of her own skull.
Max wants Chloe so badly. She wishes that wanting her were enough.
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What Max doesn't realize is that when she abandons a timeline, she also abandons a version of herself within it. A version of herself with different memories and a different life— a version of herself with no powers. A version of herself that, once possessed, is never the same.
A version of herself that must deal with the consequences of the choices she has made.
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Before this day is through, Max knows that she will have to stare into William's last photo again and leave the world that she has created here. She will grip that photo until she distorts the colors, makes them all bleed into one another and drain away into the ether.
(In the alternate timeline, Max grants Chloe's other wish.)
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Louise is almost seventeen years old when she breaks away from the restaurant for one summer, landing a job as a camp counselor at the newly inaugurated Thundergirls Summer Camp. She steps out of her comfort zone just as someone else steps right into it— Jessica is just as inscrutable as she remembers, and Louise is already in way over her head.