3 Works in Pre-Sly Cooper and the Thievius Raccoonus
Listing Works
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Summary
Carefully, Carmelita pries the painting off the wall, ignoring the yelp of protest from Barkley and the curator behind her.
Something flutters out from behind it, a scrap of paper it looks like, falling to the floor between her feet. She slots the painting back up onto its hooks, before reaching down to retrieve what she can now see is some kind of business card, stylised in the shape of a raccoon’s head. It’s midnight blue and silvery, and when she flips it over, there’s a chicken scratch scrawl on the back.
A fake all along. Try asking Mr Curator how he affords such fancy watches.
Carmelita’s breath catches in her throat. Not a business card. A calling card.
“Find that raccoon,” she says urgently.
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Snippets of Carmelita and Sly throughout their time playing cops and robbers.
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Summary
Sly's hands have only just began to fit the grooves his father's fingers left on the Cooper cane; Carmelita's holster is yet to hold a shock pistol.
(The first time they meet, they don't owe each other anything. Not yet.)
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Summary
Sly Cooper doesn’t have to be a criminal. Carmelita Fox would like to convince him, but first she has to catch him.
Or, the reason Carm is so mad at Sly all the time in Thievius Raccoonus.