Your Neighbor's Son: The Making of a Torturer (Danish: Din nabos søn or Din nabos soen) is a documentary or docudrama directed by Jørgen Flindt Pedersen and Erik Stephensen in two versions, 1976 and 1981. The film documents the conversion of young Greek Military Police (ESA) recruits into torturers during the military junta known as the Regime of the Colonels that ruled Greece from 1967 to 1974. The film touches on the power of the institution to compel otherwise moral human beings to torture.

Your Neighbor's Son
Directed byJørgen Flindt Pedersen
Erik Stephensen
Produced byEbbe Preisler
CinematographyAlexander Gruszynski
Edited byPeter Engleson
Music byArgiris Kounadis
Release date
  • 1976 (1976)
Running time
65 minutes (1976)
55 minutes (1981)
CountriesDenmark
Greece
LanguagesGreek
English subtitles

Plot

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The documentary dramatizes the recruiting and training of a number of young men into the Greek police force during the military junta rule. A number of otherwise decent young men are selected based on a number of traits viewed as exploitable by the recruiters: that they are illiterate, anti-communist, young and male, drawing comparisons to the Cambodian torturers at Tuol Sleng, many of whom were under 19 years old.[1]

The film also interviews Michalis Petrou, a conscript who served in the Military Police and was trained to become one of the most notorious torturers of the EAT-ESA. Petrou's testimony reveals that the training methods themselves were brutal and often torturous and was viewed as a necessity to ensure the robotic and brutal obedience of the trainees. According to him, during that period, he was capable of any torture method, if he was so ordered.

During the dramatic recreation of the training camps, the directors draw parallels to modern military recruit trainings and the methods used in the training of the military police torturers.

Response

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The New York Times columnist Lawrence Van Gelder noted that while the film was technically flawed it was at the same time "memorable and unnerving" in its depiction of both the victims of the torture as well as the ordeals of the torturers themselves, and claimed "it is impossible to regard its torturers or its victims without realizing that the view may be a view into a mirror."[1]

See also

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References

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  1. ^ a b Lawrence Van Gelder (2012). "Din nabos soen (1981)". Movies & TV Dept. The New York Times. Archived from the original on June 2, 2012.
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