Qutub Bakhsh, more commonly known as Tanras Khan (c. 1801 – c. 1890), was an Indian musician of the Hindustani Classical tradition known for being a luminary of the Delhi Gharana.(House of Delhi classical musicians).[4][2][5] He was a court musician and music teacher to the last Mughal emperor Bahadur Shah Zafar II.[2]
Ustad Tanrus Khan | |
|---|---|
| Born | Mir Qutub Baksh[1] c. 1801 |
| Died | c. 1890[1][2][3] |
| Nationality | British Indian |
| Occupation(s) | Vocalist and royal court musician and music teacher of the Mughal emperor[2] |
Background
editQutub Baksh was born to a musical family and initiated into music by his father, Qadir Baksh of Dasna. He became a disciple of Miyan Achpal of the Delhi Court in order to further develop his music.[6]
Early life and career
edit"Meer Qutub Baksh alias 'Tanrus Khan' was an iconic Khayal singer of the 19th century."[1] "Since Delhi has been, off and on, the capital and the cultural center of the North Indian musical tradition, many families originally came from Delhi."[2] "Tanrus Khan was famous for his swift, sparkling Taans and so this title 'Tanrus' (one who has a charming Taan) was given to him by Bahadur Shah Zafar II, the last Mughal emperor."[1]
Occasionally Tanrus Khan sang qawwalis also. So he is also said to be a member of the 'Qawwal Bachchon Ka Delhi Gharana' originally organized by the legendary 13th century musician Amir Khusrow. Many Khayals and Taranas of Hindustani classical music were composed by Tanrus Khan.[1] Tanrus Khan was attached to Delhi court but after the Mutiny of 1857, he left Delhi and went to Gwalior but felt that he was not much appreciated there. So he went to Nizam of Hyderabad's court and worked there and finally died in Hyderabad in 1885.[1]
Interaction among music gharanas
editIt is widely known that the founders of Patiala gharana had studied under the tutelage of Tanras Khan, the founder of the Delhi gharana.[4]
According to Manorama Sharma, author of the book, 'Tradition of Hindustani Music' (2006):
"In a very big function, the ceremony of Ganda-Bandhan was performed and both Ali Baksh and Fateh Ali became the disciples of Ustad Tanras Khan. In 1890, after the death of Ustad Tanras Khan, Ali Baksh and Fateh Ali became the disciples of Ustad Haddu Khan and Ustad Hassu Khan of Gwalior Gharana. Afterwards, they also received training from Ustad Bahadur Hussain Khan of Rampur. Thus, it is apparent that Ali Baksh and Fateh Ali received training from the well known musicians and later developed their own style which became famous as the Patiala Gharana. Both of them began to be known as Aliya and Fattu."
Delhi gharana
editProminent exponents
edit- Ghulam Hussain Khan alias 'Ustad Mian Achpal'[1][2] (music teacher of Tanrus Khan)
- Ustad Tanrus Khan
- Ustad Umrao Khan[2] (Tanrus Khan's son)
- Ustad Sardar Khan[7] (Umrao Khan's son)
- Ustad Manzoor Ahmed Khan Niazi
- Ustad Munshi Raziuddin
- Qawwal Bahauddin Khan[8]
- Ustad Abdullah Manzoor Niazi (Ustad Manzoor's Son)
- Ustad Meraj Ahmed Nizami
- Ustad Fareed Ayaz
- Ustad Naseeruddin Sami[8]
- Qawal Najmuddin Saifuddin & Brothers, [9]
- Hamza Akram Qawwal
- Subhan Ahmed Nizami
References
edit- ^ a b c d e f g Profile of Tanrus Khan on SwarGanga Music Foundation website Retrieved 14 January 2022
- ^ a b c d e f g Tanrus Khan - founder of the original Delhi gharana on 'The Life of Music in North India: The Organisation of an Artistic Tradition' by Daniel M. Neuman on GoogleBooks website Retrieved 14 January 2022
- ^ Nikhil Ghosh (2011). The Oxford Encyclopaedia of the Music of India: p-z. Oxford University Press. ISBN 9780195650983.
- ^ a b c Manorama Sharma (2006). Tradition of Hindustani Music (page 56). APH. p. 56. ISBN 9788176489997. Retrieved 14 January 2022.
{{cite book}}:|website=ignored (help) - ^ Tanrus Khan and Delhi gharana on culturalindia.net website Retrieved 14 January 2022
- ^ Khan, Vilayat Hussain (1959). Sangeetagyon Ke Sansmaran. New Delhi: New Hindustan Press. pp. 153–154.
- ^ Sardar Khan, grandson of Tanrus Khan on sarangi.info website Retrieved 14 January 2022
- ^ a b 'Karachi's heritage: Qawwali gali' The Express Tribune newspaper, Published 29 June 2014, Retrieved 14 January 2022
- ^ Pareles, Jon (30 October 2011). "Tides of Trance Meld Divine Echoes of South Asia and Africa". The New York Times. ISSN 0362-4331. Retrieved 21 November 2022.