Wikipedia

Sohni Mahiwal

This article is about the Punjabi and Sindhi folk tragedy. For other uses, see Sohni Mahiwal (disambiguation).

Sohni Mahiwal[a] (Punjabi: [soː(ɦ)ɳiː məɦĩʋaːl]) or Suhni Mehar[b] is a traditional Punjabi–Sindhi folk tragedy. Set in central Sindh or northern Punjab, depending upon the version of the tragedy, the folktale depicts the separation of two lovers and their tragic demise.

Sohni Mahiwal
Suhni Mehar
Painting depicting Sohni crossing the Chenab River using Ghada and Mahiwal waiting for her on the other side
Folk tale
NameSohni Mahiwal
Suhni Mehar
CountryPakistan • India
RegionSindh • Punjab
Origin Date10th century

In Sindh, it is one of the seven popular tragic romances of Sindh. The other six are Umar Marvi, Momal Rano, Sassui Punnhun, Lilan Chanesar, Sorath Rai Diyach, and Noori Jam Tamachi.[1] In Punjab, it is one of four of the most popular romances, the other three being Heer Ranjha, Sassui Punnhun and Mirza Sahiban.[2][3][4][5]

Sohni Mahiwal is a tragic love story which inverts the classical motif of Hero and Leander. The heroine Sohni, unhappily married to a man she despises, swims every night across the river using an earthenware pot to keep afloat in the water, to where her beloved Mahiwal herds buffaloes. One night her sister-in-law replaces the earthenware pot with a vessel of unbaked clay, which dissolves in water and she dies in the whirling waves of the river.[6]

Origins

edit

The tale originated in the Soomra dynasty period in the 10th century. Later, it was found in the texts of Shah Abdul Karim Bulri and lastly in Shah Jo Risalo. It is one of seven popular tragic romances from Sindh, commonly known as The Seven Queens of Sindh (Sindhi:ست سورميون‎) of Shah Abdul Latif Bhittai.[7][8][9][10] Sohni remains one of the favourite folktales both in Sindh and Punjab.[11]

Sindhi version

edit

The Sindhi version of the folk tragedy, known as Suhni Mehar, was composed by Shah Abdul Latif Bhittai based on an old narration.

Background

edit

Suhni belonged to the Samtia clan and was the daughter of Jarkat Samtio. While Mehar, a herder, belonged to the Nagamro clan and was the son of Gehwar Jam. Mehar's original name was Saahar. This folk narration belongs to the initial Soomra period in Sindh in the 10th century.[12] This narration is connected with one of the outlets of the Indus River, named Luhano Dhoro, which then turned to flow west of Shahdadpur.[13] During the caliphal period, this river used to flow on the east side of Shahdadpur.

Tale

edit

Suhni was married to Dam (Sindhi: ڏم), belonging to the Wahucho clan. During the rituals of the marriage of Suhni & Dam, their parents forgot to offer them milk as a tradition and when the married party was returning and was delayed to cross the river; while staying on a river bank, a few old ladies felt unpleasant not to offer the milk to the married couple and asked to perform the same ritual and nearby was Mehar's cattle farm who offered them milk which was drunk by Suhni. As soon as she drank the milk, she got disturbed and was attracted to Mehar.

She used to visit Mehar daily, crossing the river with baked earthen pots. But she soon was exposed to her parents, who forbade her to meet Mehar but all in vain. This practice continued and her mother-in-law one night replaced the baked earthen pot with an unbaked one. Suhni did not check the pot as usual and started swimming in the river. When she reached the deep waters, the unbaked pot was destroyed and she was drowned. While she was crying, Mehar heard her and called the fisherman to save her. But it was too late and finally, the dead body of Suhni was recovered. Mehar himself buried her and got constructed a tomb over her grave which is still visited by people in Shahdadpur. Later on, after a few years, Mehar also expired and was buried in Shahdadpur.[14]

Tomb of Suhni

edit
 
Tomb of Sohni in Shahdadpur, Sindh

In Sindh, Suhni's shrine is located at Shahdadpur of Sanghar District and is still visited by people as a historical site.[15]

Punjabi version

edit
 
Mural of Sohni Mahiwal folk tale from Sui Simbli temple in Jammu

In the 18th century (late Mughal period), a beautiful girl, Sohni, was born to a potter named Tulla. Their family belonged to the Kumhar community, and lived in the town of Gujrat in northern Punjab. At the time, Gujrat, located on the banks of river Chenab, was a caravanserai on the trade route between Bukhara and Delhi.

As Sohni grew up, she helped her father decorate his pots. Their shop is said to have been near Ram Pyari Mahal by the river.[16] As soon as the Surahis (water-pitchers) and mugs came off the wheel, she would draw artistic designs on them and set them up for sale.

Izzat Baig of Bukhara

edit

Izzat Baig, a rich trader from Bukhara, came to Punjab on business and halted in Gujrat. Here he saw Sohni at the shop and was completely smitten. Just to get a glimpse of Sohni, he would end up buying the water pitchers and mugs every day.

Sohni too lost her heart to Izzat Baig. Instead of returning to Bukhara with his caravan, the noble-born Izzat Baig took up the job of a servant in the house of Tulla. He would even take their buffaloes for grazing. Soon, he came to be known as "Mahiwal" (buffalo herder in Punjabi).

Sohni's marriage

edit

The love of Sohni and Mahiwal caused a commotion within the Kumhar community. It was not acceptable that a daughter from this community would marry an outsider, so her parents immediately arranged her marriage with another potter. On the day the "barat" (marriage party) of that potter arrived at her house, Sohni felt helpless and lost. She was sent off to the husband's house in a Doli (palanquin).

Izzat Baig renounced the world and started living as a faqir (hermit). He eventually moved to a small hut across the river Chenab from Sohni's new home. In the dark of night, when the world was fast asleep, the lovers would meet by the river. Izzat would come to the riverside and Sohni would come to meet him swimming with the help of an inverted hard baked pitcher (inverted so that it would not sink). He would regularly catch a fish and bring it for her. It is said that once, when due to high tide he could not catch a fish, Mahiwal cut a piece of his thigh and roasted it. Sohni didn't realise this at first but then she told Izzat that this fish tastes different. When she kept her hand on his leg, she realised what Mahiwal had done and this only strengthened their love for each other.

Tragic end

edit
 
Sohni swims to meet her lover Mahiwal

Meanwhile, rumours of their romantic rendezvous spread. One day Sohni's sister-in-law followed her and saw the hiding place where Sohni kept her earthenware pitcher. She informed her mother, Sohni's mother-in-law, and instead of telling Sohni's husband (who was away on a business trip), the women decided to take the decision in their own hands and finish the matter. The next day, the sister-in-law removed the hard baked pitcher and replaced it with an unbaked one. That night, when Sohni tried to cross the river with the help of the pitcher, it dissolved in the water and Sohni drowned. From the other side of the river, Mahiwal saw Sohni drowning and jumped into the river to save her and drowned as well. Thus, the lovers were reunited in death.[17]

edit

The story of Sohni and Mahiwal was popularized in the Punjabi qissa (long poem) Sohni Mahiwal by Fazal Shah Sayyad, who also wrote poems on Heer Ranjha, Laila Majnu and others.[18]

The Sohni Mahiwal love story continues to inspire numerous modern songs, including Pathanay Khan's famous song Sohni Gharay nu akhadi aj mainu yaar milaa ghadeya. Earlier Nawab Kumhar Inayat Kotia and later Alam Lohar have also made many renditions of this kalaam and were among the first singers to present the story in a song format. Pakistani pop band Noori's song Dobara Phir Se is inspired by the lore of this story as well as the more recent, Paar channa de, from Coke Studio Pakistan (season 9). Paar channa de was earlier sung by Arif Lohar and Saleema Jawwad for 2013 movie Zinda Bhaag, based on a traditional folk song.

Many paintings of Sohni Mahiwal continue to be created by well-known artists such as Sobha Singh.[19] Folk versions of these paintings, for example in the Kangra style, are commonly found across the whole Punjab region.

Four Hindi film versions, named Sohni Mahiwal have been made in India:

Other Indian films including silent ones based on the romance are:[21]

  • Sohni Mahiwal (1928) by K.P. Bhave, starring Gauhar Karnataki and Jamshedji.
  • Sohni Mahiwal (1928) by Anand Prasad Kapoor, starring Himat, Miss Mani, Master Vithal and Zebunissa.
  • Sohni Mahiwal (1939) by Roshan Lal Shorey.
  • Sohni Mahiwaal (1984) by Kanwal Biala, starring Daljit Kaur, Arun Chopra, Mehar Mittal and Kanchan Mattu.

Notes

edit
  1. ^ Punjabi: سوہݨی مہین٘وال, ਸੋਹਣੀ ਮਹੀਂਵਾਲ, Sōhṇī Mahiṁvāl
  2. ^ Sindhi: سھڻي ميھار‎

See also

edit

References

edit
  1. ^ ʻAbd al-Laṭīf (Shah) (2018). Risalo. Harvard University Press. ISBN 978-0-674-97504-0.
  2. ^ Jamal Shahid (11 January 2015). "A beloved folk story comes to life". Dawn. Retrieved 8 November 2020.
  3. ^ Karan Bali (13 September 2016). "Before 'Mirzya', Mirza and Sahiban have died over and over again for their love (Numerous versions of the legend exist, including productions in Punjabi on both sides of the border)". Scroll.in website. Retrieved 8 November 2020.
  4. ^ "Love Legends in History of Punjab". Punjabi World website. 20 April 2007. Archived from the original on 22 March 2019. Retrieved 8 November 2020.
  5. ^ Sahibaan remains unheard The Hindu (newspaper), Published 11 October 2016, Retrieved 8 November 2020
  6. ^ Annemarie Schimmel (2003). Pain and Grace: a Study of Two Mystical Writers of Eighteenth-Century Muslim India. Sang-E-Meel Publications.
  7. ^ Development of Music in Sind at Google Books
  8. ^ Rhythms of the Lower Indus at Google Books
  9. ^ Folk music of Sind at Google Books
  10. ^ Sufis of Sindh at Google Books
  11. ^ Annemarie schimmel (2003). Pain and grace:a study of two mystical writers of eighteenth-century Muslim India. Sang-E-Meel Publications.
  12. ^ Folk music of Sind at Google Books
  13. ^ Indus Volume II at Google Books
  14. ^ "The shrine of defiant love". 24 March 2015.
  15. ^ Abbasi, Reema (2015-03-24). "The shrine of defiant love". DAWN.COM. Retrieved 2021-09-13.
  16. ^ Folk Tales of Pakistan: Sohni Mahiwal - Pakistaniat.com
  17. ^ Ikram, Sheikh Mohamad (1955). The cultural heritage of Pakistan. [Karachi; New York]: Oxford University Press. p. 153.
  18. ^ Amaresh Datta (2006). The Encyclopaedia Of Indian Literature. Vol. 2. Sahitya Akademi. ISBN 81-260-1194-7.
  19. ^ Ashoka Jeratha (1995). The splendour of Himalayan art and culture. Indus. p. 134. ISBN 9788173870347.
  20. ^ Sohni Mahiwal (1984)
  21. ^ Rajadhyaksha, Ashish; Willemen, Paul (1999). Encyclopaedia of Indian cinema. British Film Institute. ISBN 9780851706696. Retrieved 12 August 2012.
edit
Retrieved from "https://en.wikipedia.org/w/index.php?title=Sohni_Mahiwal&oldid=1264284671"