Laura Terracina (1519 – c. 1577) was an Italian poet from Naples during the Renaissance. She was the most published Italian poet of the sixteenth century.[1]
Laura Terracina | |
|---|---|
 Laura Terracina, 1584 | |
| Born | 1519 |
| Died | c. 1577 |
| Nationality | Italian |
| Occupation | Poet |
| Spouse | Polidoro Terracina |
Life
editTerracina was born in Chiaia, a suburb of Naples.[2] Her mother, Diana Anfora of Sorrento and father, Paolo Terracina, had at least one more daughter and two sons. She may have received encouragement from the famous poet Vittoria Colonna, who possibly sent her a brief poem praising her talents.[2] In 1545, she became a member of the Academia of the Incogniti in Naples, and knew and corresponded with several literari figures. Despite the suppression of the academy in 1547, she continued to be known by her academy pseudonym of Febea.[citation needed]
She married her relative Polidoro Terracina and sometimes addressed poems to him. She had befriended many influential people of her day, like the patroness Giovanna d'Aragona and the writer Angelo di Costanzo.[citation needed]
Work
editShe published nine volumes of poetry, in Florence, Venice, Naples and Lucca between 1548 and 1567. In Venice, she published the chivalric romance Discorso sopra il Principio di Tutti I Canti di Orlando Furioso, a poem linked to Ludovico Ariosto's Orlando Furioso, which was reprinted thirteen times. In it she defended women from their detractors, but laments that not more have literary pursuits.[3]
Sometimes she dedicated poems to those she had met at the Academia of the Incogniti. In the many poems she wrote in praise of others, she generally spoke of her unworthiness as a poet. She exchanged poems of praise with Laura Battiferri, in which the two women praised the other, but trivialized their own talents.[4]
During her lifetime she was lauded for her work. In some of her works she deplores social disturbances and political turmoil. She also insisted that women should pursue fame for their work and addressed her seventh book to the widows of Naples.[5]
The National Library of Florence holds more than two hundred of her uncollected poems in a manuscript dated 1577.[2]
Notes
edit- ^ Cox 2008, p. 58.
- ^ a b c Jaffe & Colombardo 2002, p. 163.
- ^ Larsen 2006, p. 227.
- ^ Kirkham 2006, p. 446.
- ^ Robin, Larsen & Levin 2007, p. 358.
References
edit- Cox, Virginia (2008). Women′s Writing in Italy 1450-1600. The Johns Hopkins University Press.
- Jaffe, Irma B.; Colombardo, Gernando (2002). Shining eyes, cruel fortune: the lives and loves of Italian Renaissance Women Poets. Fordham University Press.
- Kirkham, Victoria (2006). Laura Battiferra and her literary circle: an anthology. The University of Chicago Press.
- Larsen, Anne R. (2006). From mother and daughter: poems, dialogues, and letters of les dames Des Roches. The University of Chicago Press.
- Robin, Diana Maury; Larsen, Anne R.; Levin, Carole (2007). Encyclopedia of women in the Renaissance: Italy, France, and England. ABC-CLIO, Inc.
External links
edit- Works by Laura Terracina at LibriVox (public domain audiobooks)
