Grigoriy Grigorievich Myasoyedov (Russian: Григо́рий Григо́рьевич Мясое́дов; 19 April [O.S. 7 April] 1834 – 31 December [O.S. 18 December] 1911) was a Russian realist painter associated with the Peredvizhniki movement.
Grigoriy Myasoyedov | |
---|---|
Григорий Мясоедов | |
Born | |
Died | December 31, 1911 | (aged 77)
Resting place | Poltava, Ukraine |
Education | Full Member Academy of Arts (1893) |
Alma mater | Imperial Academy of Arts (1862) |
Known for | Painting |
Style | Realist |
Movement | Peredvizhniki |
Spouses |
|
Awards |
Biography
editHis father was a member of the minor gentry, and was the author of a book titled The Statistical Economic Review of the Southern Part of Tula Guberniya. He began his education at the Gymnasium in Oryol, but didn't complete his studies before enrolling at the Imperial Academy of Arts, where his instructors were Timofey Neff and Alexey Tarasovich Markov.[1] In 1862, he received a gold medal for his painting "The Flight of Grigory Otrepyev from the Inn at the Lithuanian Border" (a scene from Boris Godunov by Pushkin).[2]
Having received a stipend for travelling from the Academy, he visited Paris, Florence, Rome and Spain on study trips.[1] Upon returning to Russia in 1870, he was named an Academician. Shortly thereafter, he became one of the founders of the "Association of Travelling Art Exhibitions" (Peredvizhniki),[1] remaining a fervent participant and supporter for the rest of his life. In 1876, he went to live on a farm near Kharkiv and began to create sympathetic portrayals of peasant life.[2]
From 1861 to 1881, he was married to the pianist Ekaterina Krivtsova, but separated from her when she was pregnant with his son Ivan , on the suspicion that Ivan was not his child.[3] He remarried shortly after (to the artist Kseniya Ivanova), but his suspicions lingered and he wouldn't allow Kseniya to treat Ivan as a son. For several years, Ivan was placed in the care of Myasoyedov's friend and colleague, Alexander Kiselyov.[3]
In 1883, Myasoyedov was the model for Ivan the Terrible in Ilya Repin's painting Ivan the Terrible and His Son Ivan.[4]
In 1889, he acquired a large manor house in Poltava, complete with a park, ponds and gardens,[2] where Ivan rejoined the family. While there, he painted a curtain and designed scenery for the local theater. He also organized an art school in 1894 and wrote a book about gardening. He resigned from the Academy in 1902, in protest over their teaching methods.[3]
Although he worked on a variety of subjects, he always had a fondness for religious painting and was planning a triptych of "Holy Russia" when he died.[2]
He was buried on his estate which, since 1926, has been home to the Poltava Gravimetric Observatory . [citation needed]
Selected paintings
edit-
The Zemstvo Dines (1872)
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Reading the
Manifesto of 1861 (1881) -
Harvest Time (Mowers) (1887)
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A Wharf in Yalta (1890)
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A Road in the Rye (1881)
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Congratilations of the Newlywed in the House of a Pomeshchik. (1861)
References
edit- ^ a b c "Мясоедов Григорий Григорьевич". Brockhaus and Efron Encyclopedic Dictionary: In 86 Volumes (82 Volumes and 4 Additional Volumes) (in Russian). St. Petersburg: F. A. Brockhaus. 1890–1907.
- ^ a b c d Biography and paintings @ Bibliotekar
- ^ a b c RusArtNet: Brief biography
- ^ Valkenier, Elizabeth Kridl (January 1993). "The Writer as Artist's Model: Repin's Portrait of Garshin". Metropolitan Museum Journal. 28: 207–216. doi:10.2307/1512927. JSTOR 1512927. S2CID 155366014.
Further reading
edit- Natalya Vladimirovna Masalina, Мясоедов, Moscow, Искусство (1964)
External links
edit- Biography, appreciation and selected works @ Russian Painting
- Myasoyedov Street, with biography @ Poltava History