David Martin Walsh[1] (born July 23, 1931) is an American cinematographer. He worked with film directors including Woody Allen, Herbert Ross, and Arthur Hiller.
David M. Walsh | |
|---|---|
| Born | 23 July 1931[1] Cumberland, Maryland, U.S.[1] |
| Occupation | Cinematographer |
| Years active | 1955–2004 |
| Awards | Primetime Emmy award |
Walsh started working in 1955 as an assistant animation cameraman at The Walt Disney Studios. During the 1960s, he worked as a camera operator on numerous big-budget features.[2]
Walsh won Primetime Emmy Award Outstanding Achievement in Cinematography for Entertainment Programming for a Special for Queen of the Stardust Ballroom in 1975.[3][4]
Filmography
editDirector of photography
Film
edit| Year | Film | Director | Notes |
|---|---|---|---|
| 1970 | Monte Walsh | William A. Fraker | |
| I Walk the Line | John Frankenheimer | ||
| 1971 | Cactus in the Snow | A. Martin Zweiback | |
| Evel Knievel | Marvin J. Chomsky | ||
| A Gunfight | Lamont Johnson | ||
| 1972 | Corky | Leonard Horn | |
| Hot Summer Week | Thomas J. Schmidt | ||
| Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask) | Woody Allen | First collaboration with Woody Allen | |
| 1973 | Ace Eli and Rodger of the Skies | John Erman | First collaboration with John Erman |
| Cleopatra Jones | Jack Starrett | ||
| Sleeper | Woody Allen | Second collaboration with Woody Allen | |
| The Laughing Policeman | Stuart Rosenberg | ||
| 1974 | The Crazy World of Julius Vrooder | Arthur Hiller | First collaboration with Arthur Hiller |
| 1975 | The Other Side of the Mountain | Larry Peerce | |
| Whiffs | Ted Post | ||
| The Sunshine Boys | Herbert Ross | First collaboration with Herbert Ross | |
| 1976 | W. C. Fields and Me | Arthur Hiller | Second collaboration with Arthur Hiller |
| Murder by Death | Robert Moore | First collaboration with Robert Moore | |
| Silver Streak | Arthur Hiller | Third collaboration with Arthur Hiller | |
| 1977 | Scott Joplin | Jeremy Kagan | |
| Rollercoaster | James Goldstone | ||
| The Goodbye Girl | Herbert Ross | Second collaboration with Herbert Ross | |
| 1978 | House Calls | Howard Zieff | First collaboration with Howard Zieff |
| Foul Play | Colin Higgins | ||
| California Suite | Herbert Ross | Third collaboration with Herbert Ross | |
| 1979 | The In-Laws | Arthur Hiller | Fourth collaboration with Arthur Hiller |
| Just You and Me, Kid | Leonard B. Stern | ||
| Chapter Two | Robert Moore | Second collaboration with Robert Moore | |
| 1980 | Hero at Large | Martin Davidson | |
| Private Benjamin | Howard Zieff | Second collaboration with Howard Zieff | |
| Seems Like Old Times | Jay Sandrich | ||
| 1981 | Only When I Laugh | Glenn Jordan | |
| 1982 | Making Love | Arthur Hiller | Fifth collaboration with Arthur Hiller |
| I Ought to Be in Pictures | Herbert Ross | Fourth collaboration with Herbert Ross | |
| 1983 | Max Dugan Returns | Fifth collaboration with Herbert Ross | |
| Romantic Comedy | Arthur Hiller | Sixth collaboration with Arthur Hiller | |
| 1984 | Unfaithfully Yours | Howard Zieff | Third collaboration with Howard Zieff |
| Country | Richard Pearce | ||
| Teachers | Arthur Hiller | Seventh collaboration with Arthur Hiller | |
| Johnny Dangerously | Amy Heckerling | ||
| 1985 | My Science Project | Jonathan R. Betuel | |
| 1987 | Outrageous Fortune | Arthur Hiller | Eighth collaboration with Arthur Hiller |
| Summer School | Carl Reiner | ||
| Fatal Beauty | Tom Holland | ||
| 1990 | Taking Care of Business | Arthur Hiller | Ninth collaboration with Arthur Hiller |
| 1992 | Brain Donors | Dennis Dugan | |
| 1996 | Carpool | Arthur Hiller | Tenth collaboration with Arthur Hiller |
Camera and electrical department
| Year | Film | Director | Role | Notes |
|---|---|---|---|---|
| 1963 | Wives and Lovers | John Rich | Assistant camera operator | Uncredited
|
| 1965 | The Hallelujah Trail | John Sturges | Assistant camera | |
| 1966 | An Eye for an Eye | Michael D. Moore | Camera operator | |
| 1967 | The President's Analyst | Theodore J. Flicker | ||
| 1968 | Bullitt | Peter Yates | Uncredited
| |
| 1969 | Paint Your Wagon | Joshua Logan | ||
| The Reivers | Mark Rydell | |||
| 1990 | Stella | John Erman | Additional photographer | Second collaboration with John Erman |
| 1991 | F/X2 | Richard Franklin | Director of photography: Los Angeles | |
| What About Bob? | Frank Oz | Additional photographer | ||
| 1994 | Clifford | Paul Flaherty | Director of photography: Special photography unit |
Shorts
edit| Year | Film | Director |
|---|---|---|
| 1989 | Private Debts | Nancy Cooperstein |
| Cranium Command |
TV movies
edit| Year | Film | Director | Notes |
|---|---|---|---|
| 1971 | Suddenly Single | Jud Taylor | |
| 1973 | A Brand New Life | Sam O'Steen | |
| 1974 | Tell Me Where It Hurts | Paul Bogart | |
| Born Innocent | Donald Wrye | ||
| 1975 | Queen of the Stardust Ballroom | Sam O'Steen | |
| My Father's House | Alex Segal | ||
| 1976 | Woman of the Year | Jud Taylor | |
| Street Killing | Harvey Hart | ||
| 1977 | Never Con a Killer | Buzz Kulik | Uncredited
|
| 1994 | Terror in the Night | Colin Bucksey | |
| 2004 | Back When We Were Grownups | Ron Underwood |
References
edit- ^ a b c Kay Weniger: Das große Personenlexikon des Films. Vol. 8, p. 242
- ^ David M. Walsh - Biography - Movies & TV The New York Times
- ^ Queen of the Stardust Ballroom Academy of Television Arts & Sciences Emmys.com
- ^ Queen of the Stardust Ballroom - Awards New York Times