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Ukrainian architecture

(Redirected from Architecture of Ukraine)

Ukrainian architecture has initial roots in the Eastern Slavic state of Kievan Rus'. After the Mongol invasion of Kievan Rus', the distinct architectural history continued in the principalities of Galicia-Volhynia and later in the Grand Duchy of Lithuania. During the epoch of the Zaporozhian Cossacks, a style unique to Ukraine developed under the influences of the Polish–Lithuanian Commonwealth.

The Golden Gate in Kyiv, largely reconstructed, c. 1100
The various structures of the Kyiv Pechersk Lavra date to different time periods, and through their styles offer an insight into the History of Ukraine and the rich craftsmanship that was developed in its long period.

After the union with the Tsardom of Russia, architecture in Ukraine began to develop in different directions, with many structures in the larger eastern, Russian-ruled area built in the styles of Russian architecture of that period, whilst the western Galicia was developed under Austro-Hungarian architectural influences, in both cases producing fine examples. Ukrainian national motifs would eventually be used during the period of the Soviet Union and in modern independent Ukraine.

Medieval Rus' (988–1230)

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Main article: Architecture of Kievan Rus'
 
The Transfiguration Cathedral in Chernihiv dates to 1030 (left), whilst the nearby Boris and Gleb Cathedral to 1123 (right)
 
Saint Pantaleon (Panteleimon) Church in Shevchenkove, 1194

The medieval state of Kievan Rus' was the predecessor of modern states of Ukraine, Russia, and Belarus and their respective cultures, including architecture.

The great church architecture, built after the adoption of Christianity in 988, were the first examples of monumental architecture in the East Slavic lands. The architectural style of the Kievan state, which quickly established itself, was strongly influenced by the Byzantine. Early Eastern Orthodox churches were mainly made of wood, with the simplest form of church becoming known as a cell church. Major cathedrals often featured scores of small domes, which led some art historians to take this as an indication of the appearance of pre-Christian pagan Slavic temples. Although early Kievan Rus' architecture is of a similar style, it eventually diverged into a number of local styles.[1] The main styles found on the territory of Ukraine are the Kyiv-Chernihiv, Galician, and Volhynian schools of architecture.

Several examples of these churches survive to this day. However, in the course of the 16th–18th centuries, many were externally rebuilt in the Ukrainian Baroque style. Examples include the grand St. Sophia Cathedral (the year 1017 is the earliest record of foundation laid), Church of the Saviour at Berestove (built from 1113 to 1125), and the St. Cyril's Church, c. 12th century. All can still be found in the Ukrainian capital.

Several buildings were reconstructed during the late 19th to 20th centuries: the Dormition Cathedral in Volodymyr, built in 1160 and reconstructed in 1896–1900; the Saint Basil Church in Ovruch, built in 1190 and reconstructed in 1907–1909; the Piatnytska Church in Chernihiv, built in 1201 with reconstruction done in the late 1940s; the Golden Gate in Kyiv, built in 1037 and reconstructed in 1982; and the Saint Pantaleon Church near Halych, built in 1200 and reconstructed in 1998. The Golden Gate's reconstruction was dismissed by some art and architecture historians as a revivalist fantasy.

Little secular or vernacular architecture of Kievan Rus' has survived.

Cossack epoch

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St. George's Cathedral of Vydubychi Monastery, Kyiv (1696)
 
A church in Subotiv, the birthplace of Ukrainian Hetman Bohdan Khmelnytsky
 
Bakhchysarai Palace

Early Ukrainian Baroque

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Ukrainian Baroque emerged during the Hetmanate era of the 17th–18th centuries. Ukrainian Baroque architecture, representative of Сossack aristocracy,[2] is distinct from Western European Baroque in that its designs were more constructivist, had more moderate ornamentation, and were simpler in form.[3]

During the 17th–18th centuries, most medieval Rus' churches were significantly redesigned and expanded. Additional church domes and elaborate exterior and interior ornamentation were added.

Among the earliest examples of Ukrainian Baroque is the St. Nicholas Cathedral in Nizhyn. Famous examples of Ukrainian Baroque architecture include the Kyiv Pechersk Lavra, the Vydubychi Monastery, the Pochaiv Lavra, and the Trinity Monastery.

Crimean Tatar architecture

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When Crimea was ruled by the Crimean Khanate, the period left several constructions inspired by Islamic motifs. The most famous was the Bakhchysarai Palace, designed by a combined effort of Persian, Turkish, and Italian architects. Other monuments from this period include various mosques and dürbes.

Late Ukrainian Baroque

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Imperial period

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St. Andrew's Church, a famous 18th-century example of Baroque architecture

Russian Empire

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As Eastern and Central Ukraine became increasingly integrated into the Russian Empire, Russian architects had the opportunity to realize their projects in the picturesque landscape that many Ukrainian cities and regions offered. St. Andrew's Church of Kyiv (1747–1754), built by Bartolomeo Rastrelli, is a notable example of Baroque architecture, and its location on top of the Kievan mountain made it a recognizable monument of the city. An equally notable contribution of Rastrelli was the Mariinskyi Palace, which was built to be a summer residence to Russian Empress Elizabeth.

 
Mariinskyi Palace

During the reign of the last Hetman of Ukraine, Kirill Razumovsky, many of the Cossack Hetmanate's towns such as Hlukhiv, Baturyn and Kozelets had grandiose projects built by the appointed architect of Little Russia, Andrey Kvasov.

Russia, winning successive wars over the Ottoman Empire and its vassal Crimean Khanate, eventually annexed the whole south of Ukraine and Crimea. Renamed New Russia, these lands were to be colonized, and new cities such as the Mykolaiv, Odesa, Kherson and Sevastopol were founded. These would contain notable examples of Imperial Russian architecture. Examples of neoclassicist architecture of this era include Kachanivka Palace, Mykolaiv Observatory, Transfiguration Monastery in Novhorod-Siverskyi, and Samchyky Manor.

Austro-Hungarian Empire

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Western parts of Ukraine that were once part of the Austro-Hungarian empire host some prominent examples of 19th-century Central European architecture, such as the Lviv Theatre of Opera and Ballet.

 
Lviv Theatre of Opera and Ballet

Vernacular architecture

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The term vernacular architecture can be used interchangeably with the terms "folk", "common", "native", "traditional" and is usually placed at the other end of the spectrum from professionally designed building by architects. The building knowledge in vernacular architecture is based on local traditions and is thus based largely upon knowledge handed down through the generations. Different regions in Ukraine had their own distinctive style of vernacular architecture. For example, in the Carpathian Mountains and the surrounding foothills, wood and clay are the primary traditional building materials.

The Museum of Folk Architecture and Way of Life of Central Dnieper Ukraine is located in Pereiaslav. The open-air museum contains 13 theme museums, 122 examples of national architecture, and over 30,000 historical cultural objects. The Museum of Decorative Finishes is one of the featured museums that preserves the handiwork of decorative architectural applications in Ukrainian architecture.

Galicia

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Wooden churches in Western Ukraine

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Further information: Vernacular architecture of the Carpathians

Architecture of late 19th and early 20th centuries

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Central and Southern Ukraine

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Western Ukraine

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Main article: Hutsul Secession

Soviet Union

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After the October Revolution and the Russian Civil War that Ukraine was also involved in, most of the Ukrainian territory was incorporated into the new Communist Ukrainian SSR. For the first time, Ukrainians, as a nation became a recognized nationality, and as a result great efforts were undertaken to develop a separate Ukrainian architectural style.

Capital: Kharkiv (1917–1934)

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The massive Freedom Square in Kharkiv 1925–1953 blends early constructivist and latter Stalinist features. It was the first major architectural project of Soviet Ukraine.

During the early years of the Soviet rule, the Ukrainization policies, meant that many Ukrainian architects were encouraged to use national motives unique to Ukraine. At the same time, architecture became standardised, all cities received general development plans to which they would be built. The national motives were, however, not taken up as the new architectural fashion for the new government became Constructivism.

In Soviet Ukraine, for the first 15 years, the capital was the eastern city of Kharkiv. Immediately a major project was developed to "destroy" its burgious-capitalist face and create a new Socialist one. A talented young architect Viktor Trotsenko, proposed a large central square with large modern buildings to become the central hub of the capital. Thus the Dzerzhinsky Square (now Freedom Square) was born, which would become the most brilliant example of constructivist architecture in the USSR and abroad. Enclosing a total of 11.6 ha,[4] it is currently the third largest square in the world to date.

Of all, the most famous was the massive Derzhprom building (1925–1928), which would become a symbol of not only Kharkiv, but Constructivism in general. Built by architects Sergei Serafimov, S. Kravets and M. Felger, and only in three years it would become the highest structure in Europe, and its unique feature lies in the symmetry which can only be felt at one point, in the centre of the square. As a tribute to the engineering design by Kharkiv's Technical University, none of the attempts to blow the building during the Second World War were successful, and it still remains the symbol of Kharkiv today.

Other examples on the square, however, were less fortunate. Such was the fate of the House of Projects (presently the Kharkiv University), which again was designed by Serafimov, built to symmetrise the Derzhprom on the square's curvature, it too was a monumental achievement of constructivism. However, during the war it was seriously damaged and was rebuilt in a semi-Stalinist style that left little of the original building intact.[5]

Capital: Kyiv (1934–1991)

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The current Ministry of Foreign Affairs of Ukraine, built as part of a government complex, to be located on the territory of the former St. Michael's Golden-Domed Monastery. Only one of the buildings was constructed (pictured).

In 1934, the capital of Soviet Ukraine moved to Kyiv. During the preceding years, the city was seen as only a regional centre, and hence received little attention. All of that was to change, but at a great price. By this point, the first examples of Stalinist architecture were already showing and in light of the official policy, a new city was to be built on top of the old one. This meant that priceless examples such as the St. Michael's Golden-Domed Monastery were destroyed. Even the St. Sophia Cathedral was under threat.

However, the Second World War did not see the project realised. The surviving pre-war Kyivan constructions include the Building of the Central Committee of the Communist Party of Ukraine (presently occupied by the Ministry of Foreign Affairs). Built by architect, only the northern wing was completed, the identical and symmetrical southern wing to be built on the place of the destroyed monastery to house the Rada of Ministers was never completed.[6] The other example is the Verkhovna Rada building built in 1936–38 by architect Volodymyr Zabolotny.

Following the heavy destruction of the Second World War, a new project for the reconstruction of central Kyiv was unveiled. This transformed the Khreshchatyk avenue into one of the finest examples of Stalinism in Architecture. A total of individual 22 projects were drawn up, when the initial competition began in 1944, none of which was realised due to extensive critique and finally in 1948 the Kyiv Proekt institute submitted its final version, headed by architects A. Vlasov and from 1949 Anatoly Dobrovolsky. For the next two decades, this figure would dominate all of the major projects in the capital.

Central Kyiv Reconstruction Projects
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    Rejected project
  •  
    Another rejected project
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    Final project

Despite an enthusiastic start which saw most of the buildings such as the Post Office, City Council, the elegant white portico Conservatory, and the first buildings of the Kalinina Square, which were completed by 1955, the new politics of architecture once again promptly stopped the project from fully being realised. None of the examples, however, share the fate of Hotel Ukraina that was to top the square as an elegant high-rise built similar to the Moscow's Seven Sisters buildings, was stripped of all decorative features and completed in what could only be described as unattractive style.

Other examples in Soviet Ukraine

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Stalinist period

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  • Reconstruction of central Kiev

Post-Stalinist period

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Modern Ukraine

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Residential buildings in Dnipro
 
Theatre on Podil, nominated for the Mies van der Rohe Award[7]
 
Bell tower in Vinnytsia (b. 1996), frog's-eye view - photo by Ivonna Nowicka

The language of modern architecture becomes more global and pluralistic in its artistic direction. In the works of the Ukrainian architects, postmodernism and high-tech tendencies can be increasingly found.

Before the 2008 financial crisis, the caprom style of postmodern architecture became prominent in Ukraine. Categorized by an eclectic mix of elements of classical, modernist and contemporary architecture, the style often receive a negative assessment of contemporaries as "kitsch".[8]

An example of modern Ukrainian architecture include the reconstruction of the Maidan Nezalezhnosti in central Kyiv in 2001, based on Moscow's Manezhnaya Square.[9] During the construction an underground shopping mall and a number of monuments, including the Independence Monument were added to the square. The reconstruction was criticized for its usage of pseudohistoric architecture, reducing the size of the public space and the removal of the fountain located on the square.[10][11]

Specific examples

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Metro

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Zoloti Vorota (Kyiv Metro)

During the Soviet Period, Metro stations were decorated with particularly vivid designs. The first three stations that were built by Ukrainian architects, were not actually located in Ukraine. They are all known under one name Kievskaya, and are located on the Moscow Metro under the Kiyevsky Rail Terminal.

In 1949, construction began on the first stage of the Kyiv Metro, which opened in 1960. All of the stations there are considered as monuments of architecture, due to their unique authentic character, that latter stations of the 1960s would lose in face of changing policy towards utilitarianism.

In 1967, construction began on the first stage of the Kharkiv Metro, which opened in 1975, this was soon joined by the semi-Metro Kryvyi Rih Metrotram in 1986 and the Dnipro Metro in 1995. Stations built in these systems, like most others in the former Soviet Union, have.[clarification needed]

Seven Wonders of Ukraine

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Main article: Seven Wonders of Ukraine
 
Kamianets-Podilskyi Castle - one of the Seven Wonders of Ukraine

On 24 August 2007, the Seven Wonders of Ukraine were announced. The initiator of this project is the people's representative to Supreme Council, Mykola Tomenko. The main goal of this enterprise is to direct the attention of the mass media and the citizens of the country to the most popular historical and cultural memorials of Ukraine.

The Seven Wonders of Ukraine is a logical extension of the set of projects under the motto 'Discover Ukraine!' that have taken place with the purpose to help discover Ukraine with its irreplaceable scenic sights, an interesting history, and rich recreational opportunities.

In 2008, another project took place under the name Seven Natural Wonders of Ukraine. It is a second stage of the main project Seven Wonders of Ukraine, which was primarily aimed at historical, cultural, and architectural sightings of the country. The second stage will identify the main geological objects such as rocks, mountain ridges, caves, lakes, rivers, natural woodlands.

This project as its predecessor also has three stages. First, after each Oblast introduces its nominees, 100 of those will move to the next stage. In the next three months, 21 winners of those hundred will be chosen for the final stage. And by the Independence Day, August 24, the final seven will be introduced to the public. The project is organized by the following institutions: the National Touristic Service of Ukraine, the Congressional Committee of youth policies, sport, and tourism, the national radio company of Ukraine, the ICTV telecompany, magazine Mandry, and many others.

See also

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References

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  1. ^ Asieiev, Y. S.; Kharlamov, V. O. (2001). Архітектура: дерев'яна і кам'яна [Architecture: wooden and stone]. Історія української культури [History of Ukrainian culture] (in Ukrainian). Vol. 1. Kyiv.{{cite book}}: CS1 maint: location missing publisher (link)
  2. ^ Culture of Ukraine - History and ethnic relations, Urbanism, architecture, and the use of space
  3. ^ Baroque
  4. ^ (in Russian) "Our Kharkiv" Archived 2006-08-22 at the Wayback Machine unofficial website
  5. ^ Архитектура Харькова
  6. ^ Hewryk, Titus D. (1982). The Lost Architecture of Kiev. New York: The Ukrainian Museum. p. 15. ASIN: B0006E9KPQ. (Out of print)
  7. ^ "EUMiesAward". eumiesaward.com. Retrieved 2021-08-21.
  8. ^ Podgornaya, Aleksandra (2021-10-29). "Любить или гнобить? Что такое капром и почему в 90-х и 2000-х процветал архитектурный китч". Маяк (in Russian). Retrieved 2024-10-20.
  9. ^ Ірина, Стасюк (2021-10-18). "Шкідливі рішення мерів Києва: хто найбільше зіпсував місто?". Хмарочос (in Ukrainian). Retrieved 2024-10-25.
  10. ^ Gazeta.ua (2021-08-20). "Майдан - це пісні Поплавського. Чи стала кращою головна площа країни за 30 років". Gazeta.ua (in Ukrainian). Retrieved 2024-10-25.
  11. ^ Pohrebna, Anna (2021-04-14). "Як відбувалася реконструкція Майдану Незалежності". Suspilne.
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