29 November. RAI censures a Dario Fo and Franca Rame’s satirical sketch for Canzonissima. It depicts a building contractor cynically uncaring of his workers’ security, This is considered inappropriate, because of an ongoing trade union dispute in the construction industry. The two artists refuse to postpone the sketch's broadcasting and leave the popular transmission as a protest. In the following weeks, many other actors (such as Walter Chiari and Gino Bramieri) refuse, for professional solidarity, to replace the couple, who will be missing from television for fifteen years.[4]
Il processo alla tappa (The stage on trial) – host by Sergio Zavoli. The show follows the Giro d’Italia, stage by stage, with special attention to the human side of the race. Started in radio in 1958, it lasts till now (but with a long break from 1970 to 1998) and must be remembered also for its technical innovations, like the moviola and the interviews to the racing cyclists.
Rotocalco televisivo (TV magazine) – current affairs program, directed by Enzo Biagi, lasted till 1968 and, in 2007, briefly revived by Biagi himself, few months before his death. It denounced, for the first time on Italian television, the power of the Mafia and the omertà culture, with the Gianni Bisiach reportage Report from Corleone.[5]
Operazione Vega (The mission of the Vega) – by Vittorio Cottafavi, from a radio play by Friederich Durremat. Set on the planet Venus in a distant future, it's really an allegory about the cold war and the risk of a global conflict and a daring experiment of TV science-fiction aimed to the adult ones.[6]
Battono alla porta (They are knocking at the door) – rare case of opera realized expressly for television, music by Riccardo Malipiero, libretto by Dino Buzzati, directed by Sandro Bolchi.[7]
I giacobini (The jacobins) – by Edmo Fenoglio, from Federico Zardi’s drama, in six episodes. It's an historically accurate reconstruction of the French revolution, re-evaluating the figures of Robespierre (the French-Italian actor Serge Reggiani) and Saint-Just (the newcomer Warner Bencivenga), traditionally seen as bloodthirsty fanatics. The series, thanks also to the excellent cast, got a huge critic and public success, but its tapes in the RAI archives have been lost and now only an amateurish record of the sound survives.[8]
Canzonissima 62. This edition of the traditional contest of songs, won by Tony Renis with Quando quando quando, is now remembered moreover for its political meaning. The two hosts, Dario Fo and Franca Rame, try a kind of show more daring and less evasive than usual. Their satirical sketches about taboo topics, as the mafia and the work accidents, get appreciations but also protests, questions to the House and censures by RAI. After the leaving of the couple (see over), the show goes on without an host, before being entrust to Tino Buazzelli and, for the final episode, to Corrado Maltoni.
Rinaldo in campo (Rinaldo takes the field) – musical comedy in three episodes about the Expedition of the Thousand, by Garinei and Giovannini, directed by Carla Ragionieri, with Domenico Modugno (author also of the music), Delia Scala and Franco e Ciccio. Already a success in teathre, it’s the second most viewed show of the year (after L’amico del giaguaro), with 14.600.000 spectators.[11]
Alta pressione (High pressure) – first Italian TV musical show aimed explicitly to the young people and first success of the Secondo Canale, hosted by Walter Chiari and Renata Mauro.[12]
