The 16th Fajr International Film Festival (Persian: شانزدهمین جشنواره بینالمللی فیلم فجر) held 1–11 February 1998 in Tehran, Iran.
Opening film | The Glass Agency |
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Location | Tehran, Iran |
Founded | 1983 |
Awards | Crystal Simorgh |
Editor-in-chief | Seifollah Dad |
Festival date | 1–11 February 1998 |
Language | Persian, English |
The Glass Agency (Ebrahim Hatamikia, 1998) was the festival's best film in "Competition of Iranian Cinema" and The Promise (Luc Dardenne and Jean-Pierre Dardenne, 1996) —a Belgian film— was the festival's best film in "Competition of International Cinema".
The Glass Agency won a record-tying nine awards including Best Film, Best Director and Best Screenplay.
Selection committee
editMajid Nadiri, festival's public relations officer, was announced the selection committee members on 3 January as below:[1]
- Parvaneh Massoumi, actress
- Mohammad-Reza Honarmand, director
- Manouchehr Asgarinasab , director
- Zia Hashemi , producer
- Abdollah Esfandiari , producer
Juries
edit- Competition of Iranian Cinema
- Ezatollah Entezami, Actor
- Kiumars Pourahmad, director
- Ahmad-Reza Darvish , director
- Fereshteh Taerpour, producer
- Majid Majidi, director
- Competition of International Cinema[2]
- Abbas Kiarostami, Iranian director
- Marco Mueller , Italian producer
- Jean-Michel Frodon, French film critic
- Tadao Sato, Japanese film critic
- Sandip Ray, Indian director
Competition of Iranian Cinema
editClosing ceremony of the 16th Fajr International Film Festival | |
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Date | 11 February 1998 |
Site | Vahdat Hall |
Highlights | |
Best Film | The Glass Agency |
Most awards | The Glass Agency (8) |
Most nominations | The Glass Agency (13)[a] |
Awards and nominations of the Competition of Iranian Cinema sections are below:[3]
- Audience Choice
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- Competition
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- Non-nomination Crystal Simorgh
- Films with multiple nominations and awards
The following 10 films received multiple nominations:
Nominations | Film |
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13[a] | The Glass Agency |
8 | The Tree of Life |
7 | Birth of A Butterfly |
The May Lady | |
3 | Mercedes |
The Sorcerer | |
The Pear Tree | |
2 | Psycho |
The Cloud and the Rising Sun | |
Takhti: The World Champion |
The following 3 films received multiple awards:
Awards | Film |
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8 | The Glass Agency |
2 | The Tree of Life |
Birth of A Butterfly |
Competition of International Cinema
edit
Crystal Simorgh for Best Film
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Crystal Simorgh for Best Director
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Crystal Simorgh for Best Performance
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Crystal Simorgh for Best Screenplay
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- Non-nomination Crystal Simorgh
Crystal Simorgh of Special Jury Prize
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- Additional Honorary Diploma
- Best Cinematography: Mahmoud Kalari – The Pear Tree (Iran)
- Best Costume Design: Malek-Jahan Khazai and Mojtaba Ra'i – Birth of A Butterfly (Iran)
Non-competitive sections
editThe festival's other sidebar sections included tributes to Anthony Quinn and Ezzatolah Entezami, retrospectives of the works of three directors —Fred Zinnemann, Krzysztof Kieślowski and Ebrahim Hatamikia— , screening of the selected works for which Ennio Morricone had composed the music, "Festival of Festivals", and special screenings.[2]
Facing Mirrors
editRetrospective of the Fred Zinnemann's career highlights:[4]
- The Men (1950)
- High Noon (1952)
- Behold a Pale Horse (1964)
- A Man for All Seasons (1966)
- The Day of the Jackal (1973)
- Julia (1977)
Retrospective of the Krzysztof Kieślowski's career highlights:[4]
- Personnel (1975 TV film)
- The Calm (1976)
- Camera Buff (1979)
- Short Working Day (1981)
- Dekalog (1988 TV series): 1, 8 and 10 episodes
- A Short Film About Killing (1988)
The Green Narrative
editRetrospective of the Ebrahim Hatamikia's career highlights:
- Identity (1987)
- The Scout (1989)
- The Immigrant (1990)
- Union of the Good (1992)
- From Karkheh to Rhein (1993)
- The Green Ashes (1994)
- The Scent of Joseph's Shirt (1996)
- Minoo Watchtower (1996)
- The Glass Agency (1998)
For All Seasons
editTribute to the Anthony Quinn by screening of 14 films of his career.[5]
Tribute to the Ezzatolah Entezami by his career highlights:
- The Cow (Dariush Mehrjui, 1969)
- Hajji Washington (Ali Hatami, 1982)
- Kamalolmolk (Ali Hatami, 1985)
- The Lodgers (Dariush Mehrjui, 1987)
- The Stony Lion (Masoud Jafari Jozani, 1987)
- Grand Cinema (Hassan Hedayat , 1989)
- Once Upon a Time, Cinema (Mohsen Makhmalbaf, 1992)
- The Quiet Home (Mehdi Sabbaghzadeh , 1992)
- The Angel's Day (Behrouz Afkhami, 1994)
- The Blue-Veiled (Rakhshan Bani-Etemad, 1995)
Once Upon a Time
editTribute the Ennio Morricone by his career highlights:[4]
- A Fistful of Dollars (Sergio Leone, 1964)
- The Hawks and the Sparrows (Pier Paolo Pasolini, 1966)
- My Name Is Nobody (Tonino Valerii, 1973)
- Last Days of Mussolini (Carlo Lizzani, 1974)
- Todo modo (Elio Petri, 1976)
- The Desert of the Tartars (Valerio Zurlini, 1976)
- Casualties of War (Brian De Palma, 1989)
- The Escort (Ricky Tognazzi, 1993)
- The Long Silence (Margarethe von Trotta, 1993)
- A Pure Formality (Giuseppe Tornatore, 1994)
Ceremony information
edit63 films were requested to participate in the festival which 22 of them were approved for the "Competition of Iranian Cinema" section.[3] For the first time, FIFF had had opening ceremony that took place on 31 January 1998, at the City Theater in Tehran, Iran. Also for the first time, press conference for each film of the competitive sections was held at the Sahra Cinema .[6] elimination of the "Debut Films" section is another feature of festival's this edition.[7]
The "Competition of International Cinema" section in the festival was introduced for the second time. The first time was in 1990.[2] The section was added in order to FIFF accredit by FIAPF as a competitive international film festival.[7] Sheila Whitaker mentioned that this was the first time in the festival's history, held an international competition with an international jury, headed by Abbas Kiarostami.[8] At the closing ceremony, Kiarostami read out a statement in which he made it clear that the jury felt it impossible to give awards to foreign films that could only be screened in Iran with major cuts.[c][8]
The "Iranian Film Market" (IFM) was established and took place during the festival. For example, National Film Development Corporation of India (NFDC), the central agency of Indian cinema, sent a delegation to the IFM and spent ₹83,864 (equivalent to ₹380,000 or US$4,500 in 2023) at this market.[9]
Critical response
edit16th FIFF marked by a powerful selection committee that did not allow many commercial films to enter into competition section. An Audience Award also introduced this year. All these made the FIFF regain the credibility it had in the past, i.e. before the politicians not familiar with cinema took charge.[10] However, impact of the former government's policies still remained.[11]
Footnotes
editNotes
edit- ^ a b The Glass Agency had had two nomination for Best Supporting Actor category.
- ^ a b c d Honorary Diploma winner
- ^ including all scenes of sexuality, violence and drug-taking
References
edit- ^ سینماهای نمایشدهنده فیلمهای جشنواره فجر [Fajr Festival's screening cinemas]. Hamshahri (in Persian). No. 1450. 4 January 1998.
- ^ a b c Rastin 1998, p. 54.
- ^ a b برگزیدگان شانزدهمین جشنواره فیلم فجر [16th Fajr Film Festival winners]. Hamshahri (in Persian). No. 1481. 12 February 1998.
- ^ a b c یادمان زینهمان، کیسلوفسکی و موریکونه در جشنواره فجر [Tributes to Zinnemann, Kieślowski and Morricone at the Fajr Festival]. Hamshahri (in Persian). No. 1462. 18 January 1998.
- ^ Eldredge, Richard L. (6 January 1998). "Engaging affair". The Atlanta Constitution. p. 2. ProQuest 413644202
- ^ شانزدهمین جشنواره فیلم فجر، امروز در تهران گشایش مییابد [16th Fajr Film Festival opens today in Tehran]. Hamshahri (in Persian). No. 1470. 31 January 1998.
- ^ a b Yaʿqubian 1998.
- ^ a b Whitaker, Sheila (6 March 1998). "The veil of fears". The Guardian. p. 12. ProQuest 245223887
- ^ Lok Sabha 1999, p. 93.
- ^ Rastin 1998, pp. 53–54.
- ^ Gozāresh 1998, p. 162.
Sources
edit- سنگینی سیاستهای گذشته بر بال سیمرغ بلورین شانزدهم [High impact of the former policies on the 16th Crystal Simorgh]. Gozāresh (in Persian). 85–86 (85–86): 162–163. March–April 1998. ISSN 1021-450X – via Noormags.
- "Fourth Session (Twelfth Lok Sabha)", Lok Sabha Debates (English Version), vol. 19, no. 19, New Delhi: Lok Sabha Secretariat, 15 April 1999
- Naficy, Hamid (2012). A Social History of Iranian Cinema, Volume 4: The Globalizing Era, 1984–2010. Durham: Duke University Press. ISBN 9780822348665.
- Rastin, Shadmehr (January–June 1998). "Fajr". Cinemaya. 39–40. ISSN 0970-8782.
- Yaʿqubian, Hamid-Reza (February 1998). شانزدهمین جشنواره فیلم فجر: تفاوتها، ویژگیها و نوآوریها [16th Fajr Film Festival: Differences, features and innovations]. Gozāresh (in Persian). 84 (84): 78. ISSN 1021-450X – via Noormags.
- Zeydabadi-Nejad, Saeed (2009). The Politics of Iranian Cinema: Film and Society in the Islamic Republic. Abingdon, Oxon: Routledge. ISBN 9780415455374.
External links
edit- 16th Fajr International Film Festival on SourehCinema (in Persian)